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The sentiment of this film is rather horribly - and effectively - cynical. A dodgy 500 Franc note is being circulated amongst businesses and people who know it isn't real. Until, that is, is falls into the hands of honest delivery driver "Yvon" (Christian Patey) who has no idea that he is about to become the victim of this scam. His boss insists that the pretty skint man make good the loss and his options are limited. Petty crime seems the obvious solution and so he hooks up with some would-be bank robbers. Needless to say, that goes awry and soon the young lad is facing a lengthy prison term and his marriage starts to dissolve before his eyes. Proof, if it were ever needed, that prison isn't always the best solution - the youngster starts to despair, and upon his release that frustration and angst leads him to a far greater crime. There is something unpleasantly venal about this whole thing. The young man is wittingly used by others but hasn't the wits of his own to appreciate, until it is too late, that he is little better than a pawn in a rather inhuman and depressing cycle of greed and indifference. Patey delivers well here, as does Robert Bresson in creating an atmosphere that suffocates any semblance of hope and demonstrates the compelling addiction of corruption - exactly, I suspect, as Tolstoy intended in his original story. In the end, I found this to be more of a powerful character study of one young man who, there but for the grace of God, could be any one of us!
The owner of a seedy small-town Texas bar discovers that one of his employees is having an affair with his wife. A chaotic chain of misunderstandings, lies and mischief ensues after he devises a plot to have them murdered.
A former rodeo star, now a motel manager, meets a young man who is responsible for the violence that suddenly has seized his small town.
The dawn of the XX century promised Latvians a prosperous and happy future. The nation’s self-esteem had awakened, and farmers were increasingly able to rise above even the estate stewards. Rudups, old soldier of the Kaiser and, with his wealth and pride, a thorn in the Baron’s side, becomes truly uncontrollable when he’s hit by Cupid’s arrow. The old boy is willing to do anything for simple maid Emily. But the girl loves his godson Karlis. It’s all a mix of riches, of cheating, and the Baron’s lawlessness. The fight of two relatives for Emily’s heart changes the fate of both men and the maid, so she can see sunshine through the tears.
Ex-safecracker Gal Dove has served his time behind bars and is blissfully retired to a Spanish villa paradise with a wife he adores. The idyll is shattered by the arrival of his nemesis Don Logan, intent on persuading Gal to return to London for one last big job.
Ebenezer Scrooge malcontentedly shuffles through life as a cruel, miserly businessman; until he is visited by three spirits on Christmas Eve who show him how his unhappy childhood and adult behavior has left him a selfish, lonely old man.
Two out-of-work actors - the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail - spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
When a woman's father goes missing, she enlists a local to aid in her search. The pair soon discover that her father has died at the hands of a wealthy sportsman who hunts homeless men as a form of recreation.