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A caption at the beginning of Loving Pablo informs us that “This film is inspired by real events. Some of the characters, names, and events have been fictionalized for dramatic purposes." What they don't tell us is that even the protagonists’ nationalities and languages have been changed. Colombians Pablo Escobar and Virginia Vallejo are played by Spanish actors speaking English – or, at the very least, trying to; Javier Bardem's English is atrocious and Penelope Cruz's is abominable, and their Colombian accents are just as bad, if not worse. To confuse things further, the characters occasionally say some random words or phrases in Spanish. Now, I don't think it's asking too much of the audience to pretend that the characters are speaking Spanish among themselves even as the actors deliver their lines in English; after all Hemingway did something similar in For Whom the Bell Tolls. But if the characters are supposed to be speaking in their native language, shouldn’t they sound like native speakers? Also, the dialogue should be consistent; i.e., all English all the time – because otherwise, what language are they supposed to be speaking when they say something in Spanish? This is a Spanish film, about Spanish-speaking characters, written, produced and directed by Spaniards; why they felt the need to tell their story in any other language than that of Cervantes, I haven’t the foggiest. Except, of course, for the obvious reason of appealing to the Anglo-Saxon market, but in this case why go to the trouble of getting Spanish – especially big names like Bardem and Cruz – and Colombians actors, only to force them to recite most of their dialogue in English? If nothing else, they could have at least had the decency not to have Cruz narrate the movie.
This film depicts the life of Saint John Bosco, who dedicated his life to rescuing abandoned and exploited street children in Turin.
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.