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A caption at the beginning of Loving Pablo informs us that “This film is inspired by real events. Some of the characters, names, and events have been fictionalized for dramatic purposes." What they don't tell us is that even the protagonists’ nationalities and languages have been changed. Colombians Pablo Escobar and Virginia Vallejo are played by Spanish actors speaking English – or, at the very least, trying to; Javier Bardem's English is atrocious and Penelope Cruz's is abominable, and their Colombian accents are just as bad, if not worse. To confuse things further, the characters occasionally say some random words or phrases in Spanish. Now, I don't think it's asking too much of the audience to pretend that the characters are speaking Spanish among themselves even as the actors deliver their lines in English; after all Hemingway did something similar in For Whom the Bell Tolls. But if the characters are supposed to be speaking in their native language, shouldn’t they sound like native speakers? Also, the dialogue should be consistent; i.e., all English all the time – because otherwise, what language are they supposed to be speaking when they say something in Spanish? This is a Spanish film, about Spanish-speaking characters, written, produced and directed by Spaniards; why they felt the need to tell their story in any other language than that of Cervantes, I haven’t the foggiest. Except, of course, for the obvious reason of appealing to the Anglo-Saxon market, but in this case why go to the trouble of getting Spanish – especially big names like Bardem and Cruz – and Colombians actors, only to force them to recite most of their dialogue in English? If nothing else, they could have at least had the decency not to have Cruz narrate the movie.
Based on true events, Lakshmi is a story of heroism and untold courage. Lakshmi, a 13 year old girl is kidnapped and sold into prostitution. Thrown into this horrific, inhuman world where she is raped and brutally beaten she barely survives with the help of the other girls and her own will to never give in. Finally she is rescued in a police raid. Against all odds, Lakshmi shows courage where everybody else fails. Resisting all pressure - violent threats, coercion and bribes, she stands up in court and in a landmark case in India, succeeds in putting the traffickers behind bars.
An illegal immigrant from Albania infiltrates the lives of a group of Londoners with devastating consequences.
Jason, an American lawyer, poses as a john to build a legal case against a pimp trafficking girls to Bangkok. Can he win the trust of a young prostitute known only as Number 18 and convince her to risk her life to testify against her pimp?
Six months after PETA's failure to fight Nippon, Hardo returns to his village in Blora. His presence is smelled by Nippon, tracked and pursued. In a chase one day and night before the proclamation of independence, a drama of struggle is revealed. The betrayal of Hardo's fiance's father is juxtaposed with the betrayal of his best friend Karmin; the resistance of Dipo and Kartiman juxtaposed with Hardo's resistance; the cruelty of the war and the ego of the invaders, a shidokan of Nippon juxtaposed with the deterioration of war victims of Hardo and Ningsih's father.
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family - and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
A biopic on life of a Hindu nationalist leader Anand Dighe, through various incidents narrated by his close aides.
Young marriage never crossed Arga's mind, Arga don't know what his parents were thinking of, until he was able to marry himself to the son of his father's best friend. Or as a will that must be fulfilled when Arga is eighteen years old.
A biopic about Jerzy Kulej, a two-time Olympic champion and one of Poland's greatest fighters. The film is set between the Olympics, when Kulej wins his first gold and goes for a second.
The drama of a man driven to crime by the mechanism of violence in an American prison. It is an indictment of American justice and the barbarically cruel methods of prison staff. Based on Jack London's novel "The Star Rover".
