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A caption at the beginning of Loving Pablo informs us that “This film is inspired by real events. Some of the characters, names, and events have been fictionalized for dramatic purposes." What they don't tell us is that even the protagonists’ nationalities and languages have been changed. Colombians Pablo Escobar and Virginia Vallejo are played by Spanish actors speaking English – or, at the very least, trying to; Javier Bardem's English is atrocious and Penelope Cruz's is abominable, and their Colombian accents are just as bad, if not worse. To confuse things further, the characters occasionally say some random words or phrases in Spanish. Now, I don't think it's asking too much of the audience to pretend that the characters are speaking Spanish among themselves even as the actors deliver their lines in English; after all Hemingway did something similar in For Whom the Bell Tolls. But if the characters are supposed to be speaking in their native language, shouldn’t they sound like native speakers? Also, the dialogue should be consistent; i.e., all English all the time – because otherwise, what language are they supposed to be speaking when they say something in Spanish? This is a Spanish film, about Spanish-speaking characters, written, produced and directed by Spaniards; why they felt the need to tell their story in any other language than that of Cervantes, I haven’t the foggiest. Except, of course, for the obvious reason of appealing to the Anglo-Saxon market, but in this case why go to the trouble of getting Spanish – especially big names like Bardem and Cruz – and Colombians actors, only to force them to recite most of their dialogue in English? If nothing else, they could have at least had the decency not to have Cruz narrate the movie.
After the release from prison, small-time criminal is marrying his girlfriend and lives a straight and poor, but happy life with her and her daughter. However, his happiness is shattered by wife's infidelity. Driven mad by jealousy, he kills her and her lover and runs into mountains, thus escaping law for months. This film is based on the true story about Junuz Kečo, last Bosnian outlaw.
New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius.
Clara Immerwahr and her husband to be Fritz Haber are both young and gifted chemists. Their struggle for acknowledgment in nationalistic Germany during World War I lead to the development and use of the first chemical weapons.
This biopic follows basketball legend Dražen Petrović's life, from his early years in Croatia to his rise to NBA stardom and career cut short by tragedy.
Biography of Loretta Lynn, a country and western singer that came from poverty to fame.
During the 1980s, uptight Ted Boynton is a salesman working in the Barcelona office of a Chicago-based company. He receives an unexpected visit from his cousin Fred, a naval officer who has come to Spain on a public relations mission for a U.S. fleet. Not exactly friends in the past, Ted and Fred strike up relationships with women in the Spanish city and experience conflicts - Ted with his employer, and Fred with the Barcelona community.
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.
Holmes receives a message from Inspector Gregson (Igor Dmitriev) about a strange case in an abandoned house on Brixton Road: the body of an elderly American was found there, and the word "Revenge" is written in blood on the wall.
It is 1940 in Norway, a neutral, peace-loving country that is invaded by Nazi Germany. A gang of Norwegian children do what Norwegian children like best - ski. They are actually rescuing Norwegian gold from the nazi invaders. The Nazis search all adults but don't suspect children playing. The children carry the gold, one bar at a time, across the mountains to a fishing boat. It is a race against time, it is spring and the snow is melting. So they ski from dawn to dusk every day.
A sixth-standard school drop-out faces many ups and downs in life when he decides to design a weaving machine to ease the plight of his mother and many like her in his village, who take up Asu work.
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.