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All I know, this film wasn’t so successful at first and this probably because the audience didn’t expect a film so dark and claustrophobic. Vertigo was so strange already from the beginning because of its surreal and nightmarish atmosphere. I bow to Hitchcock in his creativity in visualizing Jimmy Stewart’s acrophobia by implementing one of the oldest cinematography techniques, using zoom lens as it zooms in while the object moves away, emphasizing his terrified feeling and insecurity whenever he’s at a particular height due to a chronic vertigo he suffers. As always, the film director’s cameo appearance has always been fascinating since we know it’s his habit therefore we will usually let our eyes wander throughout the film, trying to spot him. In conclusion, this timeless thriller remains a classic gem despite the emergence of new modern films. The great visual effects also seem timeless when compared to digital effects. I hope my review doesn’t give you vertigo = )
I will never understand the universal adoration for Vertigo. Blindly inherited wisdom is the only explanation. How anyone could prefer this to North by Northwest or Rear Window is beyond me. An exceptionally made, exceptionally boring movie
A tense, dizzying thriller from the Master. Plot in a nutshell: A retired detective suffering from acrophobia takes the case of an old college chum's wife, who may be possessed by the spirit of her great-grandmother who committed suicide many years previous. But of course, a much darker, and more down-to-earth, secret lies beneath the surface. Comments: James Stewart is the perfect anti-hero in this: clever and brave, but also disturbed, unhinged, and at times possessive. He does a stellar job with a difficult role. In the supporting role of Stewart's faithful friend "Midge" is Barbara Bel Geddes, and she does a delightful job. According to one source I've read, after Vertigo flopped upon release, Hitchcock blamed Stewart, claiming he (Stewart) was too old and people no longer wanted to see him, hence the film's lack of success. When Hitchcock went on to do North By Northwest, Stewart reportedly begged Hitchcock for the lead role, but Hitchcock refused, giving the lead to Cary Grant, who was actually four years older than Stewart. But according to a biography of Cary Grant written by Pamela Trescott, the reason Hitchcock wanted Grant instead was simply because they worked well together and had wanted to do another collaboration after the success of To Catch a Thief. In short, that the lead role for North By Northwest had been intended for Cary Grant, and no one else, right from the beginning. All that aside, Vertigo has established a high reputation as a masterpiece of film, and rightly so. It's also beautifully photographed, and the entire film has a soft, haunting, dreamy quality to it that's utterly captivating.
Not one of my favorites from Hitchcock, and certainly dower, but still visually striking and two amazing performances from James Stewart and Kim Novak. This is only the second time seeing this, guessing the last time was maybe 10 years ago or so, not entirely sure when I'll revisit it. **3.75/5**
Perhaps it’s due to my dislike for the overrated “North By Northwest”, but as of now this is my favourite Hitchcock.
Jang Tae-Young is a popular trouble shooter in the criminal world. He is cold and ambitious. He dreams of building a casino hotel one day. A reporter then goes to Jang Tae-Young.
A grieving mother lures her daughter's killer into her smart home in order to take revenge, becoming involved in a distorted game where life and death are at stake.
An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.
A man just released from a mental institution gets involved in a gold mine scheme while trying to avoid the cops, a wrathful drug dealer, and a sultry femme fatale.
Magnolia Kane, a spirited young Californian, moves to Savannah, Georgia and mixes with an aristocratic playboy whose temper and mysterious past consumes her world and threatens her existence.
In postwar Newquay, a Cornishman returns home to live with his childhood best friend. Upon arrival, he learns of her sudden death and is determined to uncover what really happened to her.
A chemical manufacturer is killed just after asking detective James Wong to help him. So Detective Wong decides to investigate this as well as two subsequent murders.
While participating in a contest at a local newspaper in which school children are asked to submit a news story, local attorney Carson Drew's daughter Nancy intercepts a real story assignment. She "covers" the inquest of the death of a woman who was poisoned. Nancy doesn't think the young woman accused of the crime is guilty and corrals her neighbor Ted into searching for a vital piece of evidence and stumbles onto the identity of the real killer.
Young auto mechanic Dan Brady takes $20 from a cash register at work to go on a date with blonde femme fatale Vera Novak. Brady intends to put the money back before it is missed, but the garage's bookkeeper shows up earlier than scheduled. As Brady scrambles to cover evidence of his petty theft, he fast finds himself drawn into an ever worsening "quicksand" of crime.
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A hit man and his partner try to find out why their latest victim, a former race-car driver, did not try to get away.