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Money for Nothing - (Apr 18th)
Tipping Point Australia - (Apr 18th)
Gogglebox Australia - (Apr 18th)
Nature - (Apr 18th)
Hudson and Rex - (Apr 18th)
Foreign Correspondent - (Apr 18th)
Dinner with the Parents - (Apr 18th)
The Bidding Room - (Apr 18th)
Police Interceptors- Pursuit and Capture - (Apr 18th)
Four in a Bed - (Apr 18th)
Raw Talk - (Apr 18th)
Red Flags - (Apr 18th)
Deal or No Deal - (Apr 18th)
The Chase Australia - (Apr 18th)
Motorway Patrol - (Apr 18th)
The 11th Hour with Stephanie Ruhle - (Apr 18th)
Divided Youth - (Apr 18th)
Dateline- Secrets Uncovered - (Apr 18th)
The Cook Up with Adam Liaw - (Apr 18th)
The Cleaning Lady - (Apr 17th)
16 year old, Noam, auditions for a school play despite his parents disapproval. From the moment he steps onto the back stage of the theatre, he falls in love. He falls in love with its lights, colors, sounds and its sense of freedom. Above all, he falls in love with Shay, who is also competing for the main role.
These are the whispers of the last time two best friends were together one afternoon on the rooftop.
A couple is overjoyed to welcome their firstborn into the world. Euphoria slips away when they return to an unwinnable argument over the name they will give their son.
The music video for English recording artist M.I.A.'s "Born Free" was directed by Romain Gavras. The video, which depicts a genocide against red haired people, was filmed in California and directed by Romain Gavras as a nine-minute short film without the prior knowledge of M.I.A.'s record labels.
"Gus Arnhein and His Coconut Grove Orchestra" is an agreeable short-and one of the earlier Vitaphone released. While the band is just about totally forgotten today, they had a nice sound and are a nice representative of the era. And, like most Vitaphone films of the day, the camera is mostly stationary and there are no fancy effects-just a straight recording of the act-which included several nice songs.
A Psychologically ill person with schizophrenia who is undergoing constant medical treatments recalls his past reminiscences.He distinguishes the reality and illusion from a different perspective.
Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.