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***“Deliverance” meets “Friday the 13th” with undeveloped characters*** Some forest workers & friends camp out in the coastal Redwoods of Northern California, but there’s a legend about an escaped female mental patient and her deranged son born of rape. “The Final Terror” (1983) was shot in the Redwoods in late summer 1981 with only four crewmembers. As my title blurb suggests, it’s a meshing of “Deliverance” (1972) and “Friday the 13th.” The sylvan locations are outstanding, the antagonist is well realized and the no-name cast is interesting and diverse. Unfortunately the script failed to develop actual personalities, plus too many of them are unconvincingly unlikable. We don’t know these people nor do we care about ’em. Thankfully, the film improves in the second half as it becomes a survival-in-the-woods tale with a couple original elements, like the way the prey (try to) become the hunters. The movie was shelved for over two years because the producers couldn’t find a distributor. Since the flick only featured three deaths, the opening sequence with the couple getting killed was shot in order to increase its chances of obtaining a distributor. Yet this was done without the director's approval, so the producer had to pay a fee with some of it coming from the director’s wedding at the time. Interestingly, this prologue is one of the more compelling parts of the movie and is highlighted by the only female really worth noting, physically speaking. I’m not saying the other ladies were bad, just that the director evidently didn’t know how to capture the fairer sex on film. Speaking of which, Daryl Hannah (Wendy) and Rachel Ward (Margaret) were unknowns at the time, but moved on to more proficient productions. So did Adrian Zmed (Marco Cerone), but less impressively so. The film runs 1 hour, 22 minutes, and was shot at Jedediah Smith Redwoods State Park in extreme Northern California and the Crescent City area. GRADE: C+
A group of people find themselves trapped in the backwoods of West Virginia, fighting for their lives against a group of vicious and horribly disfigured inbred cannibals.
When a troubled teen is pushed too far, he takes action into his own hands. The prank he plans ends with the death of a young one! Months pass and everyone acts as nothing happened. Soon their actions will end deadly and end with his laugh.
Browning is a PI with a bad cold, who's sent to investigate a case by a mysterious client. He stumbles across the body of a young woman and is stabbed to death, and when he wakes up in heaven, they tell him he's "marginal material," and they can only decide on his final destination through one last assignment: to go back and solve his own murder. As a dog. A cute fluffy little dog (Benji). Undaunted, Browning begins to investigate the case as best he can around his canine disabilities (dialing the phone presents a special challenge) to solve the murders, save the girl, and see justice done.
After federal agent Cleopatra Jones orders the burning of a Turkish poppy field, the notorious drug lord Mommy vows to destroy her.
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Harper is a cynical private eye in the best tradition of Bogart. He even has Bogie's Baby hiring him to find her missing husband, getting involved along the way with an assortment of unsavory characters and an illegal-alien smuggling ring.
In a last ditch effort to save his marriage, Ernie Mills decides to test a love drug on two unsuspecting real estate agents before ultimately giving it to his unsuspecting wife. Madness, murder and hijinks ensue.
After 31 years at-large, detectives in Wichita, Kansas hone in on the serial killer known as BTK.
Things go horribly wrong when Catherine and Rebecca, two Catholic School girls, knock on the wrong door while selling Religious paraphernalia.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
