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‘Ophelia’ was fine by way of entertainment, but it doesn't do justice to the intricacies of the original story. It doesn't portray Hamlet’s quick-witted nature, Polonius’s shit-stirring, or Claudius’s grappling with guilt. It's incredible in all elements of filmmaking, but lacks the true heart and layers of Shakespeare's work. - Lily Meek Read Lily's full article... https://www.maketheswitch.com.au/article/review-ophelia-shakespeares-hamlet-with-a-modern-twist
Now I have to start by saying that this is not a good film, but - it does try to introduce Shakespeare to a new audience who would not have seen, nor would sit through, Olivier, Branagh or McKellan in full tilt with the skull of poor old "Yorick", and for that goal alone, it ought to be given a chance. This version is told from the perspective of "Ophelia" (Daisy Ridley) following her exploits as she in taken under the wing of "Queen Gertude" (Naomi Watts) and of her ensuing passion for "Hamlet" (George MacKay) who has been usurped for his dead father's throne by his uncle "Claudius" (Clive Owen). The story has been very heavily adapted to facilitate the new narrative perspective and as such it loses a great deal of it's potency and nuance - Clive Owen and Tom Felton ("Laertes") are shockingly wooden; as is the normally engagingly absurd partnership of "Rosencrantz" (Noel Czuczor) & Guidenstern (Martin Angerbauer). It descends quickly into a rather melodramatic love story losing much of the tension, emotional power and tragedy leading to a seriously underwhelming conclusion.
An irascible Shakespeare scholar with early onset dementia communicates with her caretaker daughter using the only language available to her, the text of King Lear, as the two struggle with aging, love, and their own balance of power.
Blood will have blood. Unbridled ambition, supernatural forces, and murderous desires reign supreme in Shakespeare’s most poetic examination of evil. When three witches tell Macbeth that he will become King of Scotland, he plots with his wife to attain the title through an assassination; a bloody act that gives him his crown and sends him careening down the path of his own undoing.
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.
Modern day adaptation of Shakespeare's immortal story about Hamlet's plight to avenge his father's murder in New York City.
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
A corrupt village commissar insists on mounting a production of Hamlet. The clever local teacher, however, casts the son of a man framed for theft as Hamlet, and the commissar as the usurping king, leading to a climax of truly Shakespearean proportions.
Eddie is a principled man, with a wife, a daughter and a mortgage and leads a seemingly stable and happy life as a government land assessor. Yet when the forces of economic and social change threaten this, he realises just how fragile his reality and security is. After losing his job, he checks his bank balance and finds he has only 'three dollars' to his name.
The extended version of the Romeo & Juliet play performance as seen in Kamen Rider Gotchard's 31st episode, and presented like it was shot in-universe.
If you had a love-potion, who would you make fall madly in love with you? Timothy, prone to escaping his dismal high school reality through dazzling musical daydreams, gets to answer that question in a very real way. After his eccentric teacher casts him as Puck in A Midsummer Night's Dream, he stumbles upon a recipe hidden within the script to create the play's magical, purple love-pansy.
A mockumentary examination of Shakespeare's greatest tragedy using "breaking news" style interviews and commentary.
Four young people escape Athens to a forest where the king and queen of the fairies are quarreling, while meanwhile, a troupe of amateur actors rehearses a play. When the fairy Puck uses a magic flower to make people fall in love, the whole thing becomes a little bit confused...