Balifilm

A documentary about Ibrahim Gezer, who escaped from war in Kurdistan to Switzerland. All is lost, except his love for beekeeping.

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

The revolution of mindfulness meditation in the business world - a critical look behind the facade of a modern, spiritual phenomenon.

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

In 1964, Che Guevara asked the young Jean Ziegler to stay in Switzerland to fight in the "Monster brain" capitalist. Since then, Jean Ziegler nerve stops fighting against injustices as a public writer, a speaker and as a Kofi Annan collaborator. During a trip to Cuba, his ideas are challenged by what he discover on the island.

Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt

Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.

Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.