Never Let Go 2024 - Movies (Sep 26th)
Unicorns 2023 - Movies (Sep 26th)
Effigy 2024 - Movies (Sep 25th)
Transformers One 2024 - Movies (Sep 25th)
Speak No Evil 2024 - Movies (Sep 25th)
Jailbreak Love on the Run 2024 - Movies (Sep 25th)
The Wild Robot 2024 - Movies (Sep 25th)
Azrael 2024 - Movies (Sep 25th)
A Good Man 2 2024 - Movies (Sep 25th)
The Becomers 2023 - Movies (Sep 25th)
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Ellen Degeneres For Your Approval 2024 - Movies (Sep 24th)
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The Front Room 2024 - Movies (Sep 24th)
Alex Wagner Tonight - (Sep 26th)
Chicago Fire - (Sep 26th)
Dimension 20s Adventuring Party - (Sep 26th)
Chicago P.D. - (Sep 26th)
Brassic - (Sep 26th)
How (Not) To Get Rid of a Body - (Sep 26th)
No Gamble No Future - (Sep 26th)
The Ark - (Sep 26th)
All In with Chris Hayes - (Sep 26th)
Agatha All Along - (Sep 26th)
Survivor - (Sep 26th)
See No Evil - (Sep 26th)
Chicago Med - (Sep 26th)
The Price Is Right - (Sep 26th)
The Beat with Ari Melber - (Sep 26th)
Lets Make a Deal - (Sep 26th)
The ReidOut with Joy Reid - (Sep 26th)
Bargain Block - (Sep 26th)
999- On the Front Line - (Sep 25th)
Kent- Garden of England - (Sep 25th)
After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.
This haunting and beautifully formed documentary is a meditation on the life of Egyptian screen legend Soad Hosni, who starred in eighty-two feature films between 1959 and 1991. Hosni’s mysterious death in London in 2001 sent shockwaves through the Arab world, and this is the first film which look into her life and work. Using filmic montage, director and video artist Rania Stephan reveals the diverse modes of female representation embodied in Hosni's charismatic roles, and creates an ebullient picture of the iconic actress who captivated the modern Arab imagination.
Five women musicians are brought together by their love for singer Dolly Parton. They all have dreams for their futures, but they are also burdened by their painful pasts. During a series of tribute concerts a warm friendship develops which leads to in-depth descriptions of the women's life stories.
Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.
Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.
Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.
"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.
Each one of the 15 lighthouses around the island of Puerto Rico tells the story of the lighthouse keepers, wives or daughters that lived in them. Additional testimonies by architects, historians, biologists and fishermen take us on a trip of beauty, hope, perseverance around them, as we witness the magnificence of its structures and its magical surroundings. Some lighthouses are active, some have been restored, others have been abandoned but all have a unique story to tell.
Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.
Road's End is the story of Daina who lives in Latgale in Eastern Latvia, close by the Russian border. She lives two miles from the nearest road, with no electricity or running water. The roof has collapsed. She is completely dependent upon herself in order to cope with her everyday life. Daina’s children have both emigrated, her son to Norway and her daughter to Italy. When she feels lonely, she goes to her husband's grave and sits there talking with him as if he were still alive. Road’s end is a both poetic and existential film about choices we make in life, about obstinacy, love and betrayal.