El buen mal

Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.

When a husband and wife attempt to break some sad and life-changing news to their ten-year-old daughter Sophie, their disclosures are far from what anyone could expect.

Graciela receives a letter informing her that her husband Fidel has been released after six years in prison. She has waited for him all that time. They finally meet again.

Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.

Inés, Irene and Ivonne gather at their mother's house to attend their father's funeral; they will not return until a year after for the anniversary of their father's death, and it is at that precise moment that everyone will have to face another setback.

Psychiatrist Sam Foster has a new patient, Henry Letham, who claims to be suicidal. In trying to diagnose him, Sam visits Henry's prior therapist and also finds Henry's mother - even though Henry has said that he murdered both of his parents. As reality starts to contradict fact, Sam spirals into an unstable mental state. Then he finds a clue as to how and when Henry may try to kill himself, and races to try to stop him.

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

17-year-old Guido suffers since his early childhood from neurodermatitis. After being taken to the hospital due to a heavy attack, he starts to question his personal and familiar environment and discovers that his parents’ relationship – which he assumed to be happy and sound – is built on lies. Unable to deal with this disappointment, he flees from it and moves in with his older brother and his roommates...

A girl named Ana (Jaime Passier-Armstrong) asks about a photo in a family album and gets an awkward brush off from her mum. When the family receives news of a tragic death, it's time for truth, and secrets from the past are revealed.

Bluey, an angry young woman trapped in a life of violence, meets a mystery mentor who could change everything. Bluey is a story of courage, heart and the fight for survival.