چھپن چھپائی

A story about bunch of people who live in a town in provincial France. At the center of it all is Pierre, a conceited and vain bisexual musician in his late teens who acts as a magnet, to varying degrees, for a whole array of characters - from his sister Lucie, with whom he has a heated incestuous relationship, to a city councilor with whom he participates in gay orgies. When Pierre turns up dead, Lucie investigates the reasons for his demise and charts the network of sadomasochistic relationships that crisscross the town.

Seven-year-old Filip admires his older brother Sebastian most of all. They fool around, watch movies and play football together. One evening Filip happens to see something unexpected between Sebastian and his best friend and Filip doesn't know how to handle it.

Giò, a 13-year-old girl living in the south of Italy, is the head of a boys' gang. She's secretly in love with young Paola, and she's ready to compete with male opponents to win her heart. In the last day of summer, innocence ends.

A short scene about a breakup between Lucy and Zelda, who's relationship has been put to the test recently.

As an AIDS activist and member of ACT UP in the 1980s and 90s, Sam witnessed the deaths of too many friends and lovers. Battlewounded and struggling with survivor's guilt, Sam now resents the complacency of his former comrades and derides what he sees as the younger generation's indifference to the politics of sex, and of death. An unexpected intimacy with a much younger man challenges Sam's understanding of contemporary gay life. Through this unconventional romance, he is forced to deal with the trauma that so informs his past, their present, and an unknown future.

A closeted Arab wholesale perfume seller, attempting to mask his identity with excessive amounts of Polo Sport Adjacent cologne, is knocked off centre when a charming customer sees through his act.

Rina wants to tell her best friend, Eli, about her arranged marriage, by dating her on the last night they could be together.

Claude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of 90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent and meaningless death rocks their lives.

A young man wakes up naked on a pallet on the street in Montreal. Who is he, what is his name? How did he get here? The only thing he seems to remember is that he's gay. And so begins one of the most compelling gay-themed mysteries we’ve seen. Based on a true story, this young man has been through some trauma that caused his memory loss - or is he an imposter avoiding the law in some way?

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

Cheyenne, a journalist, decides to leave Paris after being laid off and to settle down in the middle of nowhere, far from the society she hates. The trouble is that she leaves Sonia, her true love, behind. The latter, a teacher who loves her job, refuses to give up everything - including her comfort - to follow her. Sonia makes all the efforts in the world to forget Cheyenne, whether in the arms of Pierre, a charming anarchist, or in those of Béatrice, a gay woman who soon proves perverse and dangerous, only to realize that her heart belongs to Cheyenne and nobody else.