The Butterfly Ball and the Grasshopper's Feast

Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.

A great apple tree bloomed and gave its fruits to everyone. Its branches bent by liquid ripe fruits, which were thankfully thwarted by passers-by. But once a greedy man fenced the tree off from outsiders, boldly making it its own. The built stone fence reached the very top of the apple tree blocking the light, birds, and people...

Stranded on the Moon and thought to be alone, a determined robot finds an eager helper to assist him in repairing a rocket to take him back home to Earth.

Silhouette film. Based on Bizet’s opera “Carmen”.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Fallen Art presents the story of General A, a self-proclaimed artist. His art, however, consists of a deranged method of stop motion photography, where the individual frames of the movie are created by photographs made by Dr. Johann Friedrich, depicting the bodies of dead soldiers, pushed down by Sergeant Al from a giant springboard onto a slab of concrete.

Film produced as an opening short for the 2009 Annecy International Animation Film Festival (FIFA).

Some game trolls in the United States make a sport of getting other players “swatted” live during the game: they find out someone’s name and address, fake his caller ID, and make a bogus 911 call. The next thing you know, a SWAT team armed to the teeth is bursting into his house and giving him the fright of his life. This is all streamed live on camera, of course, so everyone can be in on the joke. Swatted is a cinematic exploration of this phenomenon based on 911 calls by offenders, YouTube videos of games and raids, and first-hand accounts of what it’s like to be swatted.

A lonely 9-year-old boy stumbles across a modest caravan in the American Midwest. Inside the caravan lives Dotty, an eccentric but kind women; old enough to be his grandmother. Dotty invites the boy into her rainbow decorated caravan that is littered with exotic memorabilia from her past, and in particular an incredible collection of brightly colored shoes. The boy, who has a hidden sadness he wont discuss and a suspicious bruise on one arm is able to forget about his troubles momentarily as Dotty and the boy embark on a journey that spans her colorful life.

On a barren planet, a shaft of light suddenly splits the sky. The ground moves, the earth trembles, rocks shatter and rumble. Then the air mellows. After the stones hustle, a strange vegetation settles in. The rhythm speeds up and one discovers a fascinating universe.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.