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Old-fashioned atypical Western laden by complex legal/financial talk, but has several highlights RELEASED IN 1952 and directed by Felix Feist, "The Big Trees" stars Kirk Douglas as a conniving lumber baron, Jim Fallon, who schemes to make it rich in Northern California in 1900 when a new law means large tracks of land are up for grabs to whoever can pay the fees. He plans to cut down the mighty redwoods but a colony of homesteading Quaker-like Christians are unwavering in their resolve to save the largest of the sacred trees, which are the ones Fallon wants most. Edgar Buchanan plays Fallon’s sidekick-turned-marshal in the Redwoods, Walter "Yukon Lucky" Burns. This was a remake of Warner Brother's "Valley of the Giants" from fifteen years earlier. While Douglas worked for free to get out of his WB contract it doesn’t seem like it, as he has his usual gusto. The old-fashioned tone will likely turn off modern viewers but the environmental message was certainly ahead of its time. The story lacks drive, however, due to the convoluted dialog about legalities & finance; it's as though you need a doctorate on California land law in order to follow what’s happening. Fallon (Douglas) naturally becomes smitten by religious beauty Alicia Chadwick (Eve Miller) while having dubious links to blonde showgirl Dora "Daisy Fisher" Figg (Patrice Wymore). Speaking of whom, jaw-dropping Wymore has a memorable song & dance sequence that’s worth the price of admission, particularly when she, um, never mind. There are several other highlights, like a scene that shows how ancient the redwoods are (e.g. they were fully grown when William the Conqueror invaded England in 1066). Furthermore, there are fistfights, a falling tree that crushes a cabin, a dynamited dam, a thrilling runaway train sequence, a huge trestle that collapses under the train, a sacrificial death and a good moral(s). I should add that the script perpetuates the myth that “The Lord helps those who help themselves” comes from the Bible. While a worthy proverb, it’s not Scripture. Watch out for Alan Hale Jr. (the Skipper from Gilligan’s Island) playing Tiny. THE MOVIE RUNS 1 hour 29 minutes and was shot in Redwood Groves, Orick and Eureka, California. WRITERS: John Twist and James R. Webb wrote the screenplay from Kenneth Earl’s novel. GRADE: B-/C+
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family - and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
Set in mid-70's, 12-year old Dvir Avni navigates between the equality values of his home-born Kibbutz and the relationship with his undermined mother, whom the Kibbutz members will to denounce.
A boy imagines a monster that helps him deal with his difficult life and see the world in a different way.
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.
Tormented by a mysterious figure named Belmiro, a young woman goes up on a stage to deliver a monologue about her past and fight against herself.
A lonely young boy, overshadowed by his older brother, picked on by other boys at school and ignored by his businessman father, finds strength and companionship from a stately old oak tree. When his father, a real-estate developer, plans to demolish the old tree in order to make way for a factory, the boy decides to stand up for his friend and stand up to his father.
A pleasant drive through a countryside is filled by melancholy as unpleasant memories surface.
In a small town, a nomad cuts down a tree he needs to use. However, he accidentally chops down the wrong tree, felling the tree that sustains life itself. When the latter tree falls, all life disappears. The nomad then finds himself in the middle of a desert that he does not recognize, and he tries to work his way out of it. During this particular quest, he comes across a small tree that is in the process of dying and opts instead to save this one.