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Rancho Skulduggery. Man in the Saddle is directed by Andre De Toth and adapted to screenplay by Kenneth Gamet from the novel written by Ernest Haycox. It stars Randolph Scott, Joan Leslie, John Russell, Ellen Drew, Alexander Knox, Richard Rober and Guinn Williams. Music is by George Duning and cinematography by Charles Lawton Jr. More known and rightly lauded for the series of Western films he made with Budd Boetticher, it often gets forgotten that Randolph Scott also had a long working relationship with Andre De Toth. Man in the Saddle was the first of six Western films the two men would make together, and it’s a pretty impressive start. Sometimes you see words such as routine and standard attributed to a lot of Westerns from the 1950s, and Man in the Saddle is one such film that’s unfairly tarred with that brush. Not that the narrative drive is out of the ordinary, the plot essentially sees Randy as a peaceful farmer forced to get nasty when evil land baron flexes his muscles, but the zest of the action, the stunt work, the colour photography (Lone Pine as always a Mecca for Western fans) and Scott, mark this out as a thoroughly entertaining production. Characterisations carry a bit more psychological smarts than your average “B” Western of the era. There’s a four way tug-of-love-war operating that is clearly going to spell misery, pain and death for somebody, a capitalist slant that bites hard with its egotistical bully boy overtones, while the obsessive behaviour of the principal players adds another dark cloud over this part of the West. Then there is the action scenes, of which De Toth once again shows himself to be a darn fine purveyor of such directional skills. And so, we get an ace runaway blazing wagon sequence, a stampede, a quite brilliant gunfight in a darkened saloon, a mano-mano fist fight that literally brings the house down – and then continues down a steep ravine, and the closing shoot-out played out during a dust storm doesn’t lack for adrenalin rushes. Scott is once again a bastion of Western coolness, more so when he throws off the bright attire he wears for the first half of film, to then switch to black clothes that signifies he’s going all bad ass on those who have caused him grief. Undervalued for sure, both as a Scott picture and as a Western movie in general. Don’t believe the routine and standard scare mongers, there’s good craft here and it’s a whole bunch of Oater fun. 7.5/10
The citizens and near-by ranchers of a western town are being besieged by a gang of rustlers and robbers, and a plea is made to the governor to send a troop of rangers. Shortly, thereafter a dude-costumed cowboy shows up but he only asks a lot of dumb questions and does a lot of stick-whittling as he wanders the streets and hangs out in the saloon with the regular barflies. The citizens mark him down as being 'tetched in the head.' Also, shortly after the whittler arrives, a mysterious black-masked rider begins to make life a bit tougher on them than it had been.
The Durango Kid, along with assistance from sidekick Smiley Burnett, investigates a pair of murders that threaten to fuel a range war.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
A feisty woman struggles to keep her ranch from being stolen by a greedy and unscrupulous land-baron named Malick. A trio of young men comes to her aid Dusty Fog, the "Kid," and Miguel. They are later joined by a fourth man named Mark, who switches allegiance away from Malick, and then by the local Sheriff who's finally forced to stand up to the local tyrant.
Edward, a powerful rancher, serves as a real chief of a town near the Mexican border. The arrival of Oklahoma John, new sheriff, not to your liking. The new lawman faces Jimmy, the son of the chief and his buddy.
When old rancher Cordoba's grandson is murdered, the Cisco Kid takes his place to find who's trying to take over the ranch.
When easterner Jack Steel gets into trouble with the law again, his father sends him to his ranch out west. There he and Alice Duncan become attracted to each other. Cowhand Slim was planning to marry Alice and now kidnaps her. When Slim's girl friend learns of Slim's interest in Alice, she tells Jack where Alice is and he heads out alone to face the three kidnapers.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.