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Who, more than all other sons of Allah, spread glory to the name of Sinbad? Sinbad the Sailor is directed by Richard Wallace and written by John Twist and George Worthing Yates. It stars Douglas Fairbanks Junior, Maureen O'Hara, Walter Slezak, Anthony Quinn, George Tobias and Jane Greer. Music is scored by Roy Webb and Technicolor cinematography by George Barnes. Sinbad (Fairbanks Jr.) regales all about his Eighth Voyage, where he went to the fabled island of Deryabar in search of the lost treasure of Alexander the Great. There's so much good about Sinbad the Sailor, the lush colour photography, the skilfully constructed sets and paintings, Roy Webb's evocative score, costuming to dazzle the eyes and Fairbanks Junior with energy and athleticism to burn. The trouble is that RKO only push the boat out half way, for they have let the writers come up with a very verbose screenplay, one which is painfully stretched to nearly two hours of film! For a family fantasy adventure film there is a surprisingly small amount of action to entertain the masses. When it comes, in dribs and drabs, it's well put together and a merciful relief, but alas, more elongated passages of barely worthwhile dialogue is just around the corner. Still, the good points in the production are reason enough to sit through the two hours. Even the casting decisions, that sees American, Irish, Austrian & Mexican actors playing Asians, are forgiven given the gusto and charm they put into their respective roles. But don't be fooled, the poster proclaimed it as "One Of The Greatest Adventures Of All Times", that would be true, if only they had shaved about 30 minutes off of the first hour! 6/10
First thing's first, this is seriously verbose. The dialogue is mostly second rate and boy, is there a lot of it... That said, though, Douglas Fairbanks is charming in the title role. Here, armed with a medallion/map, he sets out to track down an enormous treasure hidden by Alexander the Great. The supporting characters are fun - the evil "Melik" (Walter Slezak), the gorgeous "Shireen" (Maureen O'Hara) and the avaricious Emir (Anthony Quinn) and the compendium style construction of the film pulls together the adventurous streams into a final quest for the loot in an agreeable manner. It's bright and colourful, there is enough swash and buckle to keep it interesting and Slezak is particularly effective as the scheming plotter. It's a bit too long, to be fair, and is a bit too stage bound at times - but Roy Webb creates a suitably grand Arabian score and the cinematography provides for an enjoyable enough costume adventure that I really quite liked.
Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.
On a treasure hunt gone wrong, modern-day adventurer Sinbad accidentally releases the Furies, three beautiful but terrible ancient beings powerful enough to threaten life on Earth.
Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile, Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.
After completing his voyages Sindbad the Sailor and his hearty crew have come home to find a palace coup d'etat has occurred and his home city is being run by a brutal dictator played by Pedro Armendariz. He's got designs on the beautiful young princess, Heidi Bruhl both lustful and political.
When a princess is shrunken by an evil wizard, Sinbad must undertake a quest to an island of monsters to cure her and prevent a war.
Sinbad the Sailor is a Soviet animated short by Valentina and Zinaida Brumberg, released in 1944 by Soyuzmultfilm. The film is based on the Arab fairy tales about Sinbad the Sailor and his incredible adventures in foreign countries.
When the Sultan's first born is taken by an evil sorcerer, Sinbad is tasked with traveling to a desert of magic and creatures to save her.
Sadko is based on an opera by Nikolai Rimsky-Korsakov, which was based on a Russian epic tale of the same name. In the old Russian city of Novgorod, the merchants are feasting in a gorgeous palace and Sadko is bragging that he can bring to their land a sweet-voiced bird of happiness. They laugh at him, but he is offered help by the Ocean King's daughter, who is mesmerized by Sadko's singing and is in love with him. The hero is destined to visit many lands in his search of the bird. First shown in the USA in 1953 with English subtitles. This entry is for 1962 English-dub by Roger Corman's Filmgroup, which runs about 8 minutes shorter (removes much of the music) than the Russian original (see, Sadko, 1953)
Two sailors Sindbad and Popeye decide to test themselves in order to prove their supremacy. Popeye is then presented with a series of daunting tasks by Sindbad.
Sinbad returns from the sea to find his country subjected to the will of two unscrupulous sorcerers.
Sinbad, the original Prince of Persia, must complete seven tasks in order to save the world from catastrophe.
