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Summer House - (May 22nd)
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The Bold and the Beautiful - (May 22nd)
The Price Is Right - (May 22nd)
The Young and the Restless - (May 22nd)
The Beat with Ari Melber - (May 22nd)
The Last American Vagabond - (May 22nd)
Piers Morgan Uncensored - (May 22nd)
Deadline- White House - (May 21st)
Race Across the World Sweden - (May 21st)
Newly Rich, Newly Poor - (May 21st)
Britain’s Most Expensive Houses - (May 21st)
Killer at the Crime Scene - (May 21st)
Casualty 24/7- Every Second Counts - (May 21st)
Location, Location, Location - (May 21st)
The Last Captains - (May 21st)
Katy Tur Reports - (May 21st)
The Tucker Carlson Show - (May 21st)
Bargain-Loving Brits in the Sun - (May 21st)
Chris Jansing Reports - (May 21st)
There once was an ugly duckling... The Rainmaker is directed by Joseph Anthony and written by N. Richard Nash. It stars Burt Lancaster, Katharine Hepburn, Wendell Corey, Lloyd Bridges, Cameron Prud'Homme and Earl Holliman. Music is by Alex North and VistaVision/Technicolor cinematography is by Charles Lang. Starbuck (Lancaster) is a conman who arrives in the little town of Threepoint and promises to deliver the rain to end the town's crippling drought problem. More telling, perhaps, will be his impact on the Curry family... N. Richard Nash wrote it as a television play and would then see it hit the Broadway stage, so he was the logical choice for screenplay duties here. The film very much feels like a play, with very pronounced acting and sharp dialogue, it's also - at just over two hours in length - far too long for a talky based production. Thirty minutes could quite easily have been shaved off here. There's also the contentious casting of the Oscar Nominated Hepburn, who in many people's eyes - myself included - is miscast and just doesn't sit right in the role, leaving it to Lancaster to bring the flight and breeze to light up the piece. However, to enjoy the art of acting brings some rewards, it's also a pic of crafty humour and features a story of considerable humane substance. That one man, a scallywag, can have such a positive impact on a sterile backwater family, builds nicely to an ending that is a complete joy, a real smile raiser. It's also handsomely photographed by Lang, the colour lensing so smooth, and the production design, backed up by North's most appealing musical score, ensures you know that the makers cared about what they were doing. Relationships on set were initially rocky, but the principal stars would come to be friends and speak fondly of their time on the film. 6/10 Footnote: The material would also be turned into a musical titled 110 in the Shade.
Cowboy, a young transgender man, flees his hometown in search of a new beginning but the shadows of his past trail closely behind him.
A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.
Clint, a career thief, creates an alter ego through his writing which also helps him cope with his mental health.
After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.
Notorious Bandit Queen of the Indian Territory Maybelle Shirley Starr opposes the Oklahoma Land Rush of April 22, 1889.
A self-destructive ex-Mormon finds out her estranged, abusive father is on his deathbed in Provo, Utah – so she road trips across the country to reckon with her past, current friend-with-benefits in tow.
When half-breed Indian Yaqui Joe robs an Arizona bank, he is pursued by dogged lawman Lyedecker. Fleeing to Mexico, Joe is imprisoned by General Verdugo, who is waging a war against the Yaqui Indians. When Lyedecker attempts to intervene, he is thrown into prison as well. Working together, the two escape and take refuge in the hills, where Lyedecker meets beautiful Yaqui freedom fighter Sarita and begins to question his allegiances.