Ma Belle-Mère, Mon Ex et Moi

During the California Gold Rush, two down-on-their-luck vaudevillians attempt to become wealthy by bringing a girlie show to an all-male western mining town.

On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.

The film is based on the stories Anton Chekhov. It is a tribute to the actor Boris Andreyev. He plays a major role that keeps up for the duration of the film. Lively and intelligent Valery Spout largely mitigates underline the drama of the protagonist, while Michael Sveta's role, though small, is bright and memorable.

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

Haxel airport. Now Another small player between airports and New York JFK and Paris Orly. But the runway is almost a fact and the Hema found is willing to pick up the big red letters of the roof. Nothing is therefore a landing of Major discounters logged in the way. To Haxel Think big! Give nature back to the asphalt. A runway encountered on the way various pick-up points. Unique in Europe. Ter Haxel International Airport. Never hoof Laying Where Lies Netherlands. But then Tackle boys now. It is rumored that the first Boeing is already underway. And No Worries. A little lost kerosene Really not bad for your vegetable garden. Chest out and let all hell break but. Never save yourself. HE dying himself saves Gets No interest. That may immediately a tile.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.