The Players 2025 - Movies (Aug 27th)
Au revoir 2024 - Movies (Aug 27th)
Oh Hi 2025 - Movies (Aug 27th)
Sketch 2024 - Movies (Aug 26th)
KPop Demon Hunters 2025 - Movies (Aug 26th)
Together 2025 - Movies (Aug 26th)
Stans 2025 - Movies (Aug 26th)
I Know What You Did Last Summer 2025 - Movies (Aug 26th)
Prepare to Die 2024 - Movies (Aug 26th)
Karate Kid Legends 2025 - Movies (Aug 26th)
Lilo and Stitch 2025 - Movies (Aug 26th)
Ballerina 2025 - Movies (Aug 25th)
Girl in the Cellar 2025 - Movies (Aug 25th)
Relay 2024 - Movies (Aug 24th)
Trust 2025 - Movies (Aug 24th)
The Assessment 2024 - Movies (Aug 24th)
Dear Stranger 2025 - Movies (Aug 23rd)
The Throwback 2024 - Movies (Aug 23rd)
Growing Happiness 2024 - Movies (Aug 23rd)
A New Kind of Wilderness 2024 - Movies (Aug 23rd)
Honey Dont 2025 - Movies (Aug 22nd)
Marcial Maciel- The Wolf of God - (Aug 28th)
Court Cam - (Aug 28th)
My Strange Arrest - (Aug 28th)
Back to the Frontier - (Aug 28th)
Beyond the Gates - (Aug 28th)
Forged in Fire - (Aug 28th)
WWE EVOLVE - (Aug 28th)
Chasing the West - (Aug 28th)
Bargain Block - (Aug 28th)
Chef Grudge Match - (Aug 28th)
Guys Grocery Games - (Aug 28th)
On the Case with Paula Zahn - (Aug 28th)
Red Bull Soapbox Race - (Aug 28th)
Battle of the Generations - (Aug 28th)
Dateline- Secrets Uncovered - (Aug 28th)
Star Trek- Strange New Worlds - (Aug 28th)
Twisted Metal - (Aug 28th)
The One Show - (Aug 28th)
Great Australian Road Trips - (Aug 28th)
All In with Chris Hayes - (Aug 28th)
The history surrounding this film is actually way more interesting that the film itself. It was written by Welsh bus driver Eynon Evans who plays the postman-cum-poet ("Amos") in this drama, and it was also the final film directed by veteran Maurice Elvey who had long since mastered the art of coping adequately with a low budget and little production time. This film centres around the pub of "Jane" (Brenda de Banzie) - upon whom our minstrel has quite a crush. It has a wishing well (from which the coins can be readily collected afterwards!) and the locals and visitors alike tend to use this as a means of fulfilling their dreams. The principle dreams being chased here feature "Delith" (Petula Clark) who is in love with fiancée "John" (Glyn Houston) but he is wheelchair-bound and suffers from issues of confidence about himself not being good enough for her. It also features a married couple whose love has long since left them and a rather large, curmudgeonly, lady for whom the glass is always half empty. Now the one thing I have always hated is a busybody, and "Amos" successfully portrays that character to the point that I would cheerfully have dumped him down his well, swiftly followed by the large lady and half a ton of instant concrete mix. His character is just annoying, and even the presence of the measured Miss de Banzie cannot really compensate for the irritation he causes. Indeed, this film really does play to just about every Welsh stereotype short of Miss Clark bursting into a rendition of "Land of my Fathers". That said, she does treat us to quite a nice little number and the London Welsh choir also get in on the action to remind us, if the beautiful photography of the valleys fails so to do, that we are in Wales. It's a curious film to watch, and when the ladies concerned are left to actually develop their stories, it is quite watchable. The whole, though, isn't quite the sum of the parts and I found myself more annoyed than engaged with this by the end.