Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
Evil influences are gathering. Ivy is directed by Sam Wood and adapted to screenplay by Charles Bennett from the novel The Story of Ivy written by Marie Belloc Lowndes. It stars Joan Fontaine, Patric Knowles, Herbert Marshall, Richard Ney, Cedric Hardwicke and Lucile Watson. Music is by Daniele Amfitheatrof and cinematography by Russell Metty. Ivy Lexton (Fontaine) has a hunger to be wealthy, and setting her sights on well-to-do Miles Rushworth (Marshall), Ivy plots a fiendish plan that spells trouble for her husband Jervis (Ney) and her lover Roger (Knowles). Well worth discovering, Ivy showcases the dark side of Fontaine’s acting prowess for great entertainment rewards. The beautiful Madame Fontaine actually disowned the movie, and this after she stepped in to the role of Ivy Lexton after her sister Olivia de Havilland turned it down. Her lack of affection for the picture goes some way to explaining why it has remained largely forgotten, which is a shame because it’s a high end gaslight noir propelled by a femme fatale of some considerable substance. The budget was high, and it shows, in the cast list, the costuming and the stunning turn of the century production design by William Cameron Menzies. Metty’s low-key photography cloaks the Edwardian settings with atmospheric snugness, while Amfitheatrof underscores the drama with music that is appropriately tinged with chills. Thematically the piece is focusing on obsessions, by way of man’s ignorant lust and woman’s pursuit of wealth above all else. All characters are defined not by fate here, but by their actions, making for a hornet’s nest of murder and adultery. 1947 was a stellar year for film noir, with big hitting movies like Out of the Past, Nightmare Alley, Kiss of Death, Odd Man Out and Brighton Rock further cementing the growing popularity of noir as a style of film making. As is often the case with the great noir years from the classic cycle, there’s still little gems hidden away waiting to be brought out into the open, Ivy is one such film. Fontaine and the sumptuous noir visual style ensure this to be the case. 8/10
Chan, in Paris for a reunion with friends from World War I, becomes involved in investigating the murder of a munitions manufacturer who was supplying arms to the enemy, even as the rising clouds of World War II force the city into nightly blackout status..
A landscape gardener is hired by famous architect Le Nôtre to construct the grand gardens at the palace of Versailles. As the two work on the palace, they find themselves drawn to each other and are thrown into rivalries within the court of King Louis XIV.
Madhavan Mahadevan, who comes into the city from a village to see off his sister-in-law and her daughter after the death of his elder brother, an upright Customs Officer (KB Ganesh Kumar). While running around to claim the insurance money, he comes to know that his brother was actually murdered by the underworld don Irumbanakkal John (Joy Mathew).
A cursed dancer and a blind musician — both ostracized by society — become business partners and inseparable friends as their larger-than-life concerts propel them to stardom in 14th century Japan.
After his wife is brutally murdered, a policeman transfers to patrol duty at a college, only to discover that the now-executed murderder may be brought back to life as part of a professor's experiment.
In the late 1990s, society is descending into ecological collapse and totalitarianism. Saiga Riki-Oh, a mysterious man with a six-pointed star on his fist, finds himself at the privately-owned Tokyo State Prison. Serving a term of three years due to assault, his first offense, Riki-Oh openly antagonizes The Four Emperors, four powerful prisoners that control the prison and keep the rest of the inmates in line...
A Los Angeles homicide detective must stop a government trained serial killer before the agency that trained him can cover it up.
Romero is a compelling and deeply moving look at the life of Archbishop Oscar Romero of El Salvador, who made the ultimate sacrifice in a passionate stand against social injustice and oppression in his county. This film chronicles the transformation of Romero from an apolitical, complacent priest to a committed leader of the Salvadoran people.
A man tries to warn his brother away from the new girlfriend he brings home during Thanksgiving, but ends up becoming infatuated with her in the process.
The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.
Art editor Madeleine Damian carries on numerous loveless affairs. After a failed relationship with advertiser Felix Courtland, the increasingly depressed Madeleine attempts suicide. When Jack Garet, her secretary and former lover, tries to blackmail her, Madeleine resigns and seeks a reclusive life. Neighbor David Cousins befriends Madeleine, but soon Courtland and Garet discover her whereabouts and disrupt her new life.
