National Theatre Live: Travelling Light

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.

The comedic play tells the story of a Black preacher’s scheme to reclaim his inheritance and win back his church from a plantation owner.

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

For our fifteenth year of RiffTrax Live, we've selected the 1990's cult classic about bank robbing, presidential masks, and surfing: Point Break! It was directed by Academy Award Winner Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty) and stars Keanu Reeves (The Matrix, John Wick, Keanu), Patrick Swayze (Road House), and one of our all-time favorite character actors, Gary Busey (A Star Is Born, Predator 2). Mike, Kevin, and Bill will riff Point Break LIVE at the State Theatre in Minneapolis on July 27th, and the resulting hilarity will be broadcast to over 700 movie theaters across America on Thursday, August 8th with an encore on Tuesday, August 13th thanks to our partners at Fathom Events.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.

Academy Award nominee and Tony Award-winner John Lithgow (Dirty Rotten Scoundrels, Shrek, 3rd Rock from the Sun) takes the title role in Arthur Wing Pinero’s uproarious Victorian farce, directed by Olivier Award-winner Timothy Sheader (Crazy for You and Into the Woods, Regent’s Park Open Air Theatre, London). In a similar vein to the National Theatre’s smash-hit classic comedies, She Stoops to Conquer and London Assurance, The Magistrate is sure to have audiences doubled up with laughter. When amiable magistrate Posket (John Lithgow) marries Agatha (Olivier Award-winner Nancy Carroll, After the Dance), little does he realise she’s dropped five years from her age – and her son’s. When her deception looks set to be revealed, it sparks a series of hilarious indignities and outrageous mishaps.

Created from five years of interviews with 12 young people from across the UK, Our Generation is a captivating portrait of their journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager. Writer Alecky Blythe (London Road) brings her new verbatim play that tells the stories of a generation. Daniel Evans makes this directorial debut at the National Theatre. A production from National Theatre and Chichester Festival Theatre.

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Filmed stage production of Molière's comedic play The Miser about the dangers of greed.