Faith in the Flames The Nichole Jolly Story 2025 - Movies (Jul 22nd)
I Know What You Did Last Summer 2025 - Movies (Jul 22nd)
The Actor 2025 - Movies (Jul 22nd)
Jurassic World Rebirth 2025 - Movies (Jul 22nd)
Drop 2025 - Movies (Jul 22nd)
Trainwreck P.I. Moms 2025 - Movies (Jul 22nd)
40 Acres 2024 - Movies (Jul 22nd)
Daniela Forever 2024 - Movies (Jul 22nd)
Dangerous Animals 2025 - Movies (Jul 22nd)
Materialists 2025 - Movies (Jul 22nd)
Sunday Best The Untold Story of Ed Sullivan 2025 - Movies (Jul 21st)
Ash 2025 - Movies (Jul 21st)
The Phoenician Scheme 2025 - Movies (Jul 21st)
Rust 2024 - Movies (Jul 21st)
Batman Ninja vs. Yakuza League 2025 - Movies (Jul 21st)
Thunderbolts* 2025 - Movies (Jul 20th)
Mongrels 2024 - Movies (Jul 20th)
The Bones 2024 - Movies (Jul 20th)
I Was Honey Boo Boo 2025 - Movies (Jul 20th)
Treading Water 2024 - Movies (Jul 20th)
Theres a New Killer in Town 2024 - Movies (Jul 19th)
Stick - (Jul 23rd)
The Buccaneers - (Jul 23rd)
Acapulco - (Jul 23rd)
The Beat with Ari Melber - (Jul 23rd)
GRAND SUMO Highlights - (Jul 22nd)
Piers Morgan Uncensored - (Jul 22nd)
Deadline- White House - (Jul 22nd)
Train Rescue Down Under - (Jul 23rd)
Love Island - (Jul 22nd)
Bake Off- The Professionals - (Jul 22nd)
Stranded on Honeymoon Island - (Jul 22nd)
The Great British Sewing Bee - (Jul 22nd)
Sesame Street - (Jul 22nd)
Katy Tur Reports - (Jul 22nd)
Chris Jansing Reports - (Jul 22nd)
The Librarians- The Next Chapter - (Jul 22nd)
Homes Under the Hammer - (Jul 22nd)
Money for Nothing - (Jul 22nd)
Head Over Heels - (Jul 22nd)
Christmas at Sea - (Jul 22nd)
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.
Val Kilmer, master of reinvention, becomes Mark Twain, in a funny, moving, contemporary and reflective performance, based on the life of the man who was Samuel Clemens and on his writings as Mark Twain: his thoughts on politics, his family, his faith and God… Twain shows the greatness of his incomparable wit.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
Since the 1930s, the legendary family-run Hotel Messina has been visited by artists, celebrities and royalty. When the current owner’s daughter falls for a dashing young soldier, the hallways are ringing with the sound of wedding bells. However, not all the guests are in the mood for love, and a string of deceptions soon surround not only the young couple, but also the steadfastly single Beatrice and Benedick.
Separated at birth, two sets of twins collide in the same city for one crazy day, as multiple mistaken identities lead to confusion on a grand scale.
Dame Maggie Smith stars in the 1967 screen version of Franco Zeffirelli's exuberant National Theatre production of Shakespeare's romantic comedy, in which young lovers Hero and Claudio conspire to make sharp-tongued rivals Beatrice and Benedick fall in love with each other.