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Perfection. I think I will just come right out and say it from the off, this is a masterpiece, a truly spell binding, mesmerising tour de force that seeps class from every pore. I have often found myself cringing and turning my back on those who use in film debate the tired old defence of "it's not for everyone", but here I find I have no choice because this picture is purely for those enamoured with poetic beauty and precision film making at its highest. Those in search of an all action gun toting western need not apply, in fact those merely after popcorn fodder to while away an evening viewing should steer well clear. Andrew Dominik's second directorial effort is a character and dialogue driven piece of work, its thematic heart swirling with intelligence and elegiac beauty. The story centrers around the final days of notorious outlaw Jesse James, and how one of his young disciples came to murder him on April 3rd 1882. Using Ron Hansen's novel as its source, it also fills in the gaps as to what became of the murderer Robert Ford as regards the subsequent aftermath of killing the infamous Jesse James. The film is dealing with issues all to prevalent in modern day society, we are witnessing perhaps the first instance of celebrity status gone berserker, we see how the press glamorise the nasty piece of work that was Jesse James, turning him into some sort of quintessential noble outlaw. We observe a stalking menace yearning to be like his hero, a young and impressionable fellow who's hurtling towards infamy completely oblivious of the pitfalls and irony of it all. Structually the film is perfect, and to me the film defines the old saying of art on the silver screen. The performances of the lead actors are incredible, Brad Pitt gives a career high as Jesse James, all teetering villainy yet perfectly befitting the prince charming outlaw persona so gleefully built up by the press. Sam Rockwell is Charley Ford, and here he proves that movie big wigs really need to start giving the guy some more dramatic roles to get his teeth in to. Yet as good as Pitt & Rockwell are, both men are left trailing in the wake of Casey Affleck's performance as Robert Ford, childish emotion fused with flecks of dark undercurrents as Affleck layers a perfect show. How the academy chose to ignore this performance should be seen as an act of treason against American cinema. Few films have left me open mouthed in admiration at the quality on show, but shot after shot, frame after frame, this really is as gorgeous as it comes. Roger Deakins photography sublimely pleasing the eyes at every edit, be it lush rolling hills cloaked in snow, or shadowy figures appearing like ghosts from locomotive smoke, with Deakins firmly cementing his reputation as a master of his craft. The score from Nick Cave & Warren Ellis perfectly captures the ambiance and texture of the piece, with Cave himself bagging a cameo performance as a bar room busker. It's incredible to think that this is only director Andrew Dominik's second feature film, following on from the hugely enjoyable Chopper in 2000, it is now evident that New Zealand can lay claim to producing a talent that if all goes to plan, will go on to become a director to rank up with the best of them. As it is, and just right now, The Assassination Of Jesse James By The Coward Robert Ford should be filed along side Vertigo as a member of that club that only admits the greatest American films of all time, and that be even if it was directed by a Kiwi, wink wink America. Masterpiece. 10/10
Nine-year old Eunhee anxiously prepares for her recorder exam as she struggles to find a place within her own family.
On a cross country road trip to rob his home town bank Prince Mccoy finds himself having to rely on the help of an ex convict hitchhiker named Carl Robbins. Along the way the people they meet and the friendships they build begin to heal the ghosts of their pasts. However, they both have one final crossroad to face in the small town of Apple Seed.
After the death of the family's matriarch, her husband and son must confront not only the corruption in society around them but the corruption within themselves.
When Angelino Jack Robinson gets a new job in Australia, he decides to take his sissy wife Ann, brave sons Shane and Todd and wining daughter Elisabeth 'Lizzy' by sailing yacht from Hong Kong to Syndney. The gun he gets thrown in by Sheldon Blake proves disabled, and for a sinister reason: near Borneo, Blake's men turn up to capture them. The family escapes but loses the yacht on a reef. They build a cool camp on an island. But the pirates keep coming back, and the boys discover why: he hid a treasure in the yacht. Shane is also discovered and captured in more then one way by French plane wreck survivor Françoise, who later teams up with the family.
A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.
A bible salesman finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership as a money-making con team in Depression-era Kansas.
Millionaire Sam Winston is an unhappy man. His wife Constance lives a gay life, devoting all her time to parties; his daughter Gloria is in one scandal after another, changing husbands as often as her moods, and son Jerry spends his time getting drunk and chasing women. Sam hires gangster Johnny April to bump him off but Johnny, liking the old man, defers the killing and sets about making the family appreciate Sam.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
As every year Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won't even be returning to Madrid, as economic prospects are hardly rosy there. In addition, his father's health is failing and he needs Carlos to help. In this town, where the elders still celebrate the medieval rites, Carlos meets a young policeman Juan and they fall in love. A friendship ensues amidst age-old rituals and a crisis of a nation, all this set against a spectacular backdrop which seems somehow not of this world.