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The 11th Hour with Stephanie Ruhle - (May 29th)
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Perfection. I think I will just come right out and say it from the off, this is a masterpiece, a truly spell binding, mesmerising tour de force that seeps class from every pore. I have often found myself cringing and turning my back on those who use in film debate the tired old defence of "it's not for everyone", but here I find I have no choice because this picture is purely for those enamoured with poetic beauty and precision film making at its highest. Those in search of an all action gun toting western need not apply, in fact those merely after popcorn fodder to while away an evening viewing should steer well clear. Andrew Dominik's second directorial effort is a character and dialogue driven piece of work, its thematic heart swirling with intelligence and elegiac beauty. The story centrers around the final days of notorious outlaw Jesse James, and how one of his young disciples came to murder him on April 3rd 1882. Using Ron Hansen's novel as its source, it also fills in the gaps as to what became of the murderer Robert Ford as regards the subsequent aftermath of killing the infamous Jesse James. The film is dealing with issues all to prevalent in modern day society, we are witnessing perhaps the first instance of celebrity status gone berserker, we see how the press glamorise the nasty piece of work that was Jesse James, turning him into some sort of quintessential noble outlaw. We observe a stalking menace yearning to be like his hero, a young and impressionable fellow who's hurtling towards infamy completely oblivious of the pitfalls and irony of it all. Structually the film is perfect, and to me the film defines the old saying of art on the silver screen. The performances of the lead actors are incredible, Brad Pitt gives a career high as Jesse James, all teetering villainy yet perfectly befitting the prince charming outlaw persona so gleefully built up by the press. Sam Rockwell is Charley Ford, and here he proves that movie big wigs really need to start giving the guy some more dramatic roles to get his teeth in to. Yet as good as Pitt & Rockwell are, both men are left trailing in the wake of Casey Affleck's performance as Robert Ford, childish emotion fused with flecks of dark undercurrents as Affleck layers a perfect show. How the academy chose to ignore this performance should be seen as an act of treason against American cinema. Few films have left me open mouthed in admiration at the quality on show, but shot after shot, frame after frame, this really is as gorgeous as it comes. Roger Deakins photography sublimely pleasing the eyes at every edit, be it lush rolling hills cloaked in snow, or shadowy figures appearing like ghosts from locomotive smoke, with Deakins firmly cementing his reputation as a master of his craft. The score from Nick Cave & Warren Ellis perfectly captures the ambiance and texture of the piece, with Cave himself bagging a cameo performance as a bar room busker. It's incredible to think that this is only director Andrew Dominik's second feature film, following on from the hugely enjoyable Chopper in 2000, it is now evident that New Zealand can lay claim to producing a talent that if all goes to plan, will go on to become a director to rank up with the best of them. As it is, and just right now, The Assassination Of Jesse James By The Coward Robert Ford should be filed along side Vertigo as a member of that club that only admits the greatest American films of all time, and that be even if it was directed by a Kiwi, wink wink America. Masterpiece. 10/10
Soo-kyung works as a reporter. She has an older brother, Sung-ho, and younger sister, Joo-mi. She thinks of her two siblings as burdens. One day, Nak appears in front of them. He is their youngest sibling.
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.
A poor young man is finally able to achieve his dream of running a horse at the track, but when he starts becoming successful, he begins to lose sight of what mattered to him before.
While grieving the loss of his wife, a father struggles with faith in a chance to reconnect with her; the journey is portrayed as death being a beginning rather than an end, a simple line separating two worlds.
Set against the backdrop of 1971 Indo-Pak war, the movie is inspired by real incidents and the protagonists are inspired by Param Vir Chakra recipients. The movie shows what consequences of war are on the lives of soldiers on either side of the border.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.