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**A film with some merits, even if it is far from the quality of the first “Dragonheart”.** After more than a handful of films, the “Dragonheart” franchise, which was carried in the arms of producer Rafaella de Laurentiis, has yet another launch. There are no great merits to point out, other than the fact that it is supposedly a prequel to the first film. The script is basically more of the same: we go back to a very remote period in the history of England, right after the end of the Roman Empire, to a place somewhere where there were dragons and a small monarchy, where a country boy ends up becoming king by being recognized as the son, never assumed, of the late local sovereign. The boy has a connection to a dragon, assumed by the marks he carries on his back, but this connection is incomplete, and it is when the kingdom is invaded by Vikings that he realizes the reason: his sister, who he thought was long dead, has returned to claim the kingdom for herself by being born a minute before her newly crowned brother! This is what I call a narrow margin win! Despite the fact that the story has absolutely no trace of originality, and that the successive and poor sequels have never even been able to match the first film, I can say that this was the film that I liked the most, right after the original, but far from it. The fight between brothers is an additional point that worked well in the plot, even if it is very silly to think that a series of Vikings will adopt a baby in a basket just because. The film features some actors who deserve a positive mention, starting with Sir Ben Kingsley, who once again voices the dragon with skill and talent. The work of Tom Harries and Jessamine Bell can be the target of some criticism, neither of them is particularly skillful, but the truth is that both managed to decently disentangle themselves from the challenge that was in their hands. The massive CGI used by the film also seems to me to be more effective, better introduced and more elegant than anything that has been used previously (except the original work, obviously). The dragon that was presented here is good, it works well and the way it behaves and interacts with humans is well imagined. What really goes wrong with this film is the amount of bad costumes, bad make-up and the excessively fanciful way in which the Middle Ages, in a very concrete and distant period, were portrayed.
Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. The fairy godmother discovers that Shrek has married Fiona instead of her Son Prince Charming and sets about destroying their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
The sorcerer and his apprentice Galen are on a mission to kill an evil dragon to save the King’s daughter from being sacrificed according to a pact that the King himself made with the dragon to protect his kingdom.
When an ancient dragon awakens from its slumber beneath the earth, it’s up to the witches Yok, Claire and Aimottle to save thier village from destruction.
After a boy is shipwrecked on a deserted island, he finds a pink egg which hatches into the pink dragon (referred to as a dinosaur in the English-language theme song) named Serendipity. A feature-length compilation of the 26 episode Nippon TV series.
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools—the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg - a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
Yowler, the last dragon on Earth is in terrible danger. His arch enemy, the Dark Knight, has returned. Only young John McGowen can save him...
Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. But when an evil force threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, that same evil has returned and it’s up to a lone warrior, Raya, to track down the legendary last dragon to restore the fractured land and its divided people.