Hitchcock, Selznick and the End of Hollywood

Walter Bonatti is THE mountaineering legend, capable of meeting the great challenges of mountaineering: K2, Drus, G4, Matterhorn, to name a few. But the summits reached are not points of arrival, they are intermediate stages which then push him on a journey around the world, in search of himself. His exploration, starting from the vertical walls, then moved towards horizontal paths and was always expressed towards the interior space where our fears and our desires reside. Where the man, sitting alone in front of himself, must decide to surpass himself or to adapt. And Walter never complied with them, he wrote his own rules and followed them all his life, allowing himself no loopholes or shortcuts. He built himself as a mountaineer, as an explorer, as a photojournalist and as a writer, but always and only with the intention of being an uncompromising man with his hands, his muscles, his heart and his head.

A portrait of photographer Abisag Tüllmann (1935-1996). Abisag Tüllmann’s photographs have become deeply engraved into our cultural memory. Using more than 500 black-and-white photos, all of which taken by Abisag Tüllmann, this cinematic tribute places her life and work in the context of the 1960s to the 1990s. Claudia von Alemann tries to get close to her friend via pictures and archival documents, excerpts from films by Carola Benninghoven, Helke Sander, Alexander Kluge, Günther Hörmann, and Ulrich Schamoni, via the music of composer José Luis de Delás, and via letters and memories, such as those of photographer Barbara Klemm, who still vividly remembers her former Frankfurt colleague.

Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.

A chronicle of alleged ghosts, haunted landmarks and the otherworldly doings of Tinseltown, including a cursed script and haunted homes of the stars. A range of celebrities and parapsychologists provide interviews related to the history of Hollywood hauntings and their own experiences hosted by William Shatner.

IM Kwon-taek is a Korean film-maker. He was born in 1934 when his country was under Japanese occupation. When Korean War was over his parents became North Korean partisan, and he ran away from home. He’s made 101 films since he made his debut in 1962 with Farewell Doman River. He tasted the glory at Cannes Int’l Film Festival with Chiwhasun. However making the 102nd film seems harder than ever to this 80-year-old director. His 2 projects have been suspended. He still can’t find chance to make his 102nd film, but spends daily routine free from film-making. This is a recording of years that the film-maker spends without making a film.

At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.

The extraordinary life of playwright, singer, actor, composer, and director Noël Coward, who rose from poverty to stardom while keeping his sexuality a secret. Featuring Laurence Olivier, Maggie Smith, Frank Sinatra, Michael Caine and Lucille Ball. Narrated by Alan Cumming. With Rupert Everett as the voice of Noël Coward. Directed by Academy Award Nominee Barnaby Thompson.

A journey through the life, work and many artistic miracles of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010).

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.