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Thomas Jane's accent might be pretty hard to understand, and the story is just a just a plot you've already seen put through the Stephen King's _Children of the Corn_ wringer, but that doesn't stop 1922 from being another Stephen King adaptation we can put in 2017's "Good" column, alongside _It_ and _Gerald's Game_ (and decidedly not alongside _The Dark Tower_). _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***There’s always another way than murder*** Two members of a corn-farming family in 1922 Nebraska commit a crime and get away with it, but do they really? Thomas Jane and Molly Parker play the parents while Dylan Schmid is on hand as the son, who’s about 15. Released in 2017, “1922” is a haunting crime drama/period piece with elements of horror, unsurprisingly based on a Stephen King story of the same name. The confined farm location, tone and even genre are akin to films like “The Messengers” (2007), “Husk” (2011) and “Signs” (2002). There’s also a nod to “Bonnie and Clyde” (1967). Thomas Jane should’ve gotten an award for his performance, as he literally disappears in the role and is unrecognizable. His farm hick accent is so thick I strongly recommend using the subtitles. The themes revolve around disloyalty, the danger of allowing hostility (hatred) to fester, the abuse of authority/manipulation and the power of conscience. The film runs 1 hour, 42 minutes and was shot, believe it or not, in Western Australia. Additional cast: Kaitlyn Bernard appears as the kid’s neighbor girlfriend and Neal McDonough her father. GRADE: B
This isn't so much a movie, as a stark - almost biblical - lesson on the reap and ye shall sow principle. Thomas Jane is unhappily married to Molly Parker. When she decides it is time to sell up their small ranch (complete with fields of tall corn!), he hits on the idea of disposing of her. He ropes in his 14 year old son Dylan Schmid and what follows is a rather beautifully shot story of retribution (divine or man-made) on the pair. This is more of a cross-thread of what happens to the two men dealing with the consequences, than a story with a narrative, and that is where the film really slows down to a rather ponderous grind. It was only ever a short-ish story from Stephen King so it was always going to be tough to properly string it out for 100 minutes and though atmospheric, it is really just a rather procedural plod of a film with little about the two men to engage sympathy. At times the imagery is graphic, but not in an especially potent way, and the dialogue seems to take for ever to make the point we have long guessed for ourselves much earlier. More of a moral message than a movie...
Fearless and unforgettably creepy. This high-concept production, filmed live at London’s Donmar Warehouse, stars the formidable talents of David Tennant and Cush Jumbo in Shakespeare’s most infamous tragedy.
Kris and her partially disabled uncle run a derelict farm together. Their quirky yet loving relationship, is built upon daily routine, and it becomes challenged when Kris finds a romantic interest and asks herself some life-changing questions.
A Jewish pawnbroker, a victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.
Arms dealers from several companies vie to sell the most expensive and highest tech weapons to a South American dictator. There are complications; understanding the exact nature of how 'gifts' are used to grease the wheels of a sale, a religious conversion from one of the salesman and a romance that begins to grow between two competitors.
Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys' home known as The Island. Juhani has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula can truly be.
Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shonusuke, a radical set on murdering prominent politician Kurokawa and Christina, an American spy posing as a gambler.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
When a group of college kids stumble upon a small abandoned town of Sunset Valley, they must fight a band of Zombies led by a Confederate soldier seeking retribution for his grisly execution.
Black police officer Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA—the Colombian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss.
Police officers around Tokyo are being murdered by an unknown assailant. When Ran witnesses an attempt on the life of one of her friends in the police, she loses her memory. Now, Conan and Inspector Megure must find the murderer while Ran attempts to regain her lost memories.
Veronica, the new girl in town, is lured into the woods by a group of senior boys looking to make her a victim. But the boys don't know that Veronica's been trained to handle herself in surprisingly lethal ways.