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Thomas Jane's accent might be pretty hard to understand, and the story is just a just a plot you've already seen put through the Stephen King's _Children of the Corn_ wringer, but that doesn't stop 1922 from being another Stephen King adaptation we can put in 2017's "Good" column, alongside _It_ and _Gerald's Game_ (and decidedly not alongside _The Dark Tower_). _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***There’s always another way than murder*** Two members of a corn-farming family in 1922 Nebraska commit a crime and get away with it, but do they really? Thomas Jane and Molly Parker play the parents while Dylan Schmid is on hand as the son, who’s about 15. Released in 2017, “1922” is a haunting crime drama/period piece with elements of horror, unsurprisingly based on a Stephen King story of the same name. The confined farm location, tone and even genre are akin to films like “The Messengers” (2007), “Husk” (2011) and “Signs” (2002). There’s also a nod to “Bonnie and Clyde” (1967). Thomas Jane should’ve gotten an award for his performance, as he literally disappears in the role and is unrecognizable. His farm hick accent is so thick I strongly recommend using the subtitles. The themes revolve around disloyalty, the danger of allowing hostility (hatred) to fester, the abuse of authority/manipulation and the power of conscience. The film runs 1 hour, 42 minutes and was shot, believe it or not, in Western Australia. Additional cast: Kaitlyn Bernard appears as the kid’s neighbor girlfriend and Neal McDonough her father. GRADE: B
This isn't so much a movie, as a stark - almost biblical - lesson on the reap and ye shall sow principle. Thomas Jane is unhappily married to Molly Parker. When she decides it is time to sell up their small ranch (complete with fields of tall corn!), he hits on the idea of disposing of her. He ropes in his 14 year old son Dylan Schmid and what follows is a rather beautifully shot story of retribution (divine or man-made) on the pair. This is more of a cross-thread of what happens to the two men dealing with the consequences, than a story with a narrative, and that is where the film really slows down to a rather ponderous grind. It was only ever a short-ish story from Stephen King so it was always going to be tough to properly string it out for 100 minutes and though atmospheric, it is really just a rather procedural plod of a film with little about the two men to engage sympathy. At times the imagery is graphic, but not in an especially potent way, and the dialogue seems to take for ever to make the point we have long guessed for ourselves much earlier. More of a moral message than a movie...
A murder in a sleepy town at the heart of the Blue Ridge Mountains shocks the community and refuels a longtime feud between two families. It’s up to the new sheriff, Justin Wise, to solve the case before the town takes the law into its own hands.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
