The Hope

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Newly elected police court judge John Fairbrother is impassioned when it comes to the laws affecting the dives and cabarets of the city, and promises equal justice for all.

During a raging storm, a baby is washed up on shore on an island in Greece and is adopted by the wealthy Stanhopes, who name her Lorelei. Eighteen years later, Lorelei, now a woman, invites her school friends to spend their vacation at her villa. One of her guests, Julie, is insanely jealous of Lorelei. One day Gerald Waldron, a disenchanted society fop, sails by on his yacht, accompanied by his social-climbing friend, Hartley Royce. Seeing Lorelei and her friends swimming, they decide to go ashore. Both Gerald and Hartley fall in love with Lorelei, and Julie rages, finding herself relegated to Hartley. Together Hartley and Julie plot to separate the lovers.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.