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With the Nazis having reduced Warsaw to little more than rubble, the young “Alex” (Jordan Kiziuk) is separated from his family, who have been sent to a concentration camp, and is now forced to scavenge as best he can amongst the ruins. Fortunately, this is a resourceful young lad who quickly learns his way around the ghetto using the sewers and the attics to keep himself safe. That’s easier said than done as the water supply has been turned off and food is extremely scarce. There are still people in the city but with plenty prepared to turn him in for an apple or a loaf of bread, he has to be very wary of whom he can trust. His encounter with fellow refugees “Freddy” (Lee Ross) and “Henyrk” (Simon Gregor) alerts him to a way out of their squalid environment into safer parts but he still hopes for a reunion with his dad “Stefan” (Patrick Bergin) and for that to happen, however unlikely, he must risk remaining in a Jewish quarter that is being slowly demolished by the invaders. It’s a lot of responsibility for this young lad who really only has himself and his pet mouse “Snow” against perils around every corner, and Kiziuk holds that role together engagingly well. This film is also quite interesting in that it tells us the story from that child’s perspective which offers quite an affecting way to demonstrate both the brutishness of the soldiers and their indiscriminate thuggery as neither age nor sex made the slightest difference to the treatment they received. The production takes us deep into the infrastructure of “Ptasia Street” and into the psychology of both this boy and those he encounters as he must live his life by his guile and with some occasional goodwill, and though the brutality isn’t as graphic as in many similar stories, it is just as impactful. It’s quite compelling to watch and his choice of book - “Robinson Crusoe” rather sums the whole thing up.
The US military forms a squadron of unconventional recruits during World War II to trick the German army into thinking there were outposts and bases where there were only mannequins, props and inflatable tanks.
An ambitious carnival man with a talent for manipulating people with a few well-chosen words hooks up with a female psychologist who is even more dangerous than he is.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Austrian mountaineer Heinrich Harrer journeys to the Himalayas without his family to head an expedition in 1939. But when World War II breaks out, the arrogant Harrer falls into Allied forces' hands as a prisoner of war. He escapes with a fellow detainee and makes his way to Llaso, Tibet, where he meets the 14-year-old Dalai Lama, whose friendship ultimately transforms his outlook on life.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
A group of German boys are ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge. The film is based on a West German anti-war novel of the same name, written by Gregor Dorfmeister.
A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father's cook, an African named Owuor.
The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.