അയാള്‍ ജീവിച്ചിരിപ്പുണ്ട്

In a rustic village in Kerala, a group of old wrestling aficionados led by "Captain" Das is at odds with the youth of the village who are more into cricket. Though a former wrestler himself, the Captain's son Anjaneya is also part of the cricketer gang. Anjaneya is forced to go to college in Punjab by his father and there his paths cross with a Punjabi girl Aditi who's coincidentally also a wrestler. Due to unforeseen circumstances both of them end up returning to Anjaneya's village in Kerala.

Riny (Biju Menon) is the right hand man of jeweller Lolappan (Innocent). He is extremely selfish and doesn't worry about the consequences of his actions as long as it contributes to his growth. He becomes estranged even with his family, but despite this, his rise up through the ranks continue.

Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.

Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

A group of Malayali nurses stranded in Iraq, must survive their capture by the extremists and reach out to the rescue team headed by the Indian government.

A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

The film takes a deeper look at the social status of people who are forcefully converted to a different religious belief, and how they are looked down upon.