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The Ruck March 2025 - ()
Popeye the Slayer Man 2025 - ()
Baby Invasion 2024 - ()
McVeigh 2024 - ()
Riff Raff 2024 - ()
High Ground 2025 - ()
Tyler Perrys Duplicity 2025 - ()
ODessa 2025 - ()
Hamlet 2024 - ()
Hard Truths 2024 - ()
Modì Three Days on the Wing of Madness 2024 - ()
The Twister Caught in the Storm 2025 - ()
Novocaine 2025 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."
Algeria desert, 1961. France just detonated an atomic bomb. A patrol of seven soldiers is sent to ground zero to take samples and measure the current radioactivity. The more they advance, the more they perceive that they are entering a dangerous uncharted territory: the future…
What happened after Einstein fled Nazi Germany? Using archival footage and his own words, this docudrama dives into the mind of a tortured genius.
Hank Marshall is a tough, square-jawed, straitlaced Army engineer and nuclear science expert, assigned to help conduct weapons testing in 1950s America. Hank has become a thorn in the side of the Army, though, for a couple of very different reasons. He is an outspoken opponent of atmospheric testing, though his superiors hold contrary views and want to squelch his concerns...and his reports. The other problem is his wife, Carly. She is voluptuous and volatile, wreaking havoc in his personal life and stirring up intrigue at each new Army base.
An ageing fishing boat, Dai-go Fukuryu Maru ("Lucky Dragon No. 5") sets out from the port of Yaizu in Shizuoka Prefecture. It travels around the Pacific line fishing. While the ship is near Bikini Atoll, the ship's navigator sees a flash. All the crew come up to watch. They realize it is an atomic explosion, but take time to clear their fishing gear. A short time later, grey ash starts to fall on the ship. When the ship returns to port the sailors have been burned brown. They unload the fish, which are then transported away. They visit the local doctor and then go to Tokyo for an examination. It turns out they are all highly radioactive. Their symptoms become worse, and the contaminated fish causes a panic.
The story of J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.
The story involves Rose Chismore's youth. She flashes back and remembers her coming-of-age. Her recollections are sometimes less than sweet, particularly those of her troubled and alcoholic step-father. Her memories of Robin, her first-love, are much happier and she also recalls her colorful Aunt Starr - who's visit is fun but also detrimental to her family's health. The setting of 1950s Las Vegas' bomb testing is increasingly significant to the development of the story.
A second generation cameraman in Australia finds evidence that his father had filmed a nuclear test that allowed aboriginies to be exposed to and killed by radiation. He begins a search for a secret that if true, his government has already killed people to keep quiet.
Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. Except as actors, no Americans took part in the production. The three-hour film was made for television and evidently had no theatrical release, but is available on DVD for home viewing. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations. Both the dramatisations and most of the original footage are presented as sepia-toned images, serving to blur the distinction between them. The languages are English and Japanese, with subtitles, and the actors are largely Canadian and Japanese.