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The central romance around which the """plot""" of _Ibiza_ revolves is, in all honesty, actually kind of sweet. But this might be the most self-indulgent, vain crap I've ever watched. So awkward. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Music can make or break a film. A good soundtrack can count for a lot. It sets the atmosphere, it sets the tone, it's the heart of a film. Look at Guardians of the Galaxy 2, not a great film...but the soundtrack saved it from being a bad film. Then look at ibiza...the sound track is largely why the movie stank. And when I mean it stank, I mean it was so bad I literally had to leave the room my girlfriend was watching it in, and go someplace to escape it. The main reason was the music. It was blaring, so loud that you couldn't escape it...and if you turned the volume down it became so quiet you couldn't hear the dialogue...which really, honestly, you wouldn't be missing much. But what you have here are tits...then blaring house music, the kind that is just three beats, on repeat, on a drum machine and played so loud that it shuts down your ability to even think...then dialogue, then House music again. And here and there you have actual songs...with drum machines and auto-tune so it sounds, pretty much, exactly like every other song you hear on the radio today...only again played at 10X the volume as the rest of the film. What was the film about? Who cares? Seriously. The brief lulls between the blaring horrible music were little more than small reprieves before the next round of annoying as all hell music. I've seen plenty of horrible movies...but I've never seen a single film that irritated me as much as this train wreck. If you're the kind of person that likes music that sounds like a scratched CD played at ear popping volumes, this is the movie you deserve.
Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.
Steve Brooks, a sexist womanizer, is killed by a group of his angry former lovers. In heaven, he makes a bargain with God for redemption and agrees to return to Earth. Once there, he must have a sincere relationship with a female and make her fall in love with him. If not, Steve's soul will become the property of the devil. But the devil hedges his bet, and Steve is reincarnated as a woman named Amanda Brooks.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
Based on the documentary "Our Brand Is Crisis", this feature focuses on the use of American political campaign strategies in South America.
Joe and Lucy are roommates and best friends. Lucy, whose love life is embarrassingly dull, convinces Joe, who is infatuated with a neighbor he's never met, that if they don't have stable romances within a month, they must jump off the Brooklyn Bridge.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Four young women continue the journey toward adulthood that began with "The Sisterhood of the Traveling Pants." Now three years later, these lifelong friends embark on separate paths for their first year of college and the summer beyond, but remain in touch by sharing their experiences with each other.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
C.R. MacNamara is a managing director for Coca Cola in West Berlin during the Cold War, just before the Wall is put up. When Scarlett, the rebellious daughter of his boss, comes to West Berlin, MacNamara has to look after her, but this turns out to be a difficult task when she reveals to be married to a communist.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
