Pan

A young man walks the city in the summer in search of flowers for his crush - all while vicious murders are occurring.

Sam wakes up in a cold, metal-covered room with a long streak of blood flowing from the door. The blood trail leads to a mutilated body. The body is her boyfriend lying in the corner of the room. Obviously frightened, she still mysteriously knows where she is and whom an ominous, forceful voice on an intercom belongs to. It's her father's voice. She stays in the room as punishment, and how long until she gets out she doesn't know. Hours become days. Days become weeks. In the room, Sam finds solace in talking to her nine-year-old sister through a latch built into the bottom of the room's door. This keeps herself occupied and her mind focused to prevent reoccurring flashes she has of her late mother's death. Meanwhile, the voice gives her instructions to take white pills that put her to sleep. Sam slowly pieces together fragmented memories she has from her past, and begins to understand why she stays locked in this room, for what lies inside of her cannot be let free.

While house-sitting, a young boy falls into the hands of his own imagination and conscience.

Advent follows Tommy and John who are having a sleepover to try and fix their friendship that is falling apart. Little did they know, one of them is infected with a virus.

When memories of your ex aren't the only thing that's haunting you.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

A mariner survives an attack from the dreaded pirates of the Black Freighter, but his struggle to return home to warn it has a horrific cost.

When young, we might try witchcraft out of curiosity to make our wishes come true, even if it’s scary. For such curiosity, Joohee, who is unable to find hope in reality, pays the price, as well as her friends who she neglects.

In the hospital following a violent raid on his compound, a serial killer is interrogated by the US Marshal who nearly took his life.

Walking in her home, Evelia experiences the past, the present and the future at the same time. In the symbolic life she leads, governed by the god Janus, everything around her seems to speak to her, until random visions are born poetic. Through the trance state that awakens the inner gaze, Evelia's anima connects with the anima mundi. Simonetta's eyes is about the memory that a person will leave behind; Evelia tells the viewer, with the language of the gaze: "one day, we will only be memory".

In cargo handling areas where a lot of foreign employees work, the managers are always Korean. The class imbalance between Koreans and foreign workers causes inevitable conflicts.