The Island 2023 - Movies (Jun 23rd)
Katak The Brave Beluga 2023 - Movies (Jun 23rd)
American Fiction 2023 - Movies (Jun 23rd)
Stevie Van Zandt Disciple 2024 - Movies (Jun 23rd)
Thelma 2024 - Movies (Jun 23rd)
The Bikeriders 2023 - Movies (Jun 23rd)
Autumn and the Black Jaguar 2024 - Movies (Jun 22nd)
Agent Recon 2024 - Movies (Jun 22nd)
Blackwater Lane 2024 - Movies (Jun 22nd)
Time Addicts 2023 - Movies (Jun 22nd)
Open Heart 2023 - Movies (Jun 22nd)
Protocol-7 2024 - Movies (Jun 22nd)
Lisa Frankenstein 2024 - Movies (Jun 22nd)
All of Us Strangers 2023 - Movies (Jun 21st)
The Boys in the Boat 2023 - Movies (Jun 21st)
Triumph Jesse Owens and the Berlin Olympics 2024 - Movies (Jun 21st)
Monkey Man 2024 - Movies (Jun 19th)
No Time to Spy A Loud House Movie 2024 - Movies (Jun 21st)
The Girl in the Trunk 2024 - Movies (Jun 21st)
Trigger Warning 2024 - Movies (Jun 21st)
Millers Girl 2024 - Movies (Jun 21st)
Drag Race Mexico - (Jun 23rd)
The Kelly Clarkson Show - (Jun 23rd)
Katie Pipers Breakfast Show - (Jun 23rd)
Saturday Kitchen - (Jun 23rd)
Saturday Kitchen Best Bites - (Jun 23rd)
Sunday Brunch - (Jun 23rd)
Painting Birds with Jim and Nancy Moir - (Jun 23rd)
Gutfeld! - (Jun 23rd)
Outnumbered - (Jun 23rd)
The Five - (Jun 23rd)
The Ingraham Angle - (Jun 23rd)
Hannity - (Jun 23rd)
Craig of the Creek - (Jun 23rd)
Dream Home - (Jun 23rd)
Love Island - (Jun 23rd)
My Adventures with Superman - (Jun 23rd)
Dropout Presents - (Jun 23rd)
The SmackDown LowDown - (Jun 23rd)
Worlds Funniest Animals - (Jun 23rd)
Planet Lulin - (Jun 23rd)
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.
Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.
Glyndebourne's wartime history as a home for evacuee children is the ingenious context for a new production of this unclassifiable entertainment in which low comedy and high tragedy compete for our attention, "borne aloft by Strauss's divine music and Hofmannsthal's visionary poetry". At the centre of this production from Katharina Thoma is the noble, tragic figure of the abandoned Ariadne herself, in a haunting performance from Soile Isokoski, 'with brilliant support from the pit' (The Independent).
At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.
At the Opéra Royal de Wallonie-Liège, stage director David Hermann and music director Christian Zacharias lead a production of Otto Nicolai's 1849 opera The Merry Wives of Windsor, a work that draws its inspiration from William Shakespeare's beloved eponymous play.
La vida breve, an Andalusian opera in two acts written by Manuel de Falla on a libretto by Carlos Fernández Shaw, staged by Giancarlo del Monaco at the Palau de les Arts Reina Sofía, in Valencia.
In 2009, Frédéric Mistral’s tale of love and loss in Provence came to the Opéra de Paris with a new production of Gounod’s 1864 opera Mireille. Nicolas Joel’s naturalistic staging frames the accomplished performances of Albanian soprano Inva Mula as Mireille and American tenor Charles Castronovo as her ardent country lover Vincent.
A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.
In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.