Diplomacy

Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.

Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.

And here is an early success as he puts the viewer in the mood of a little boy, playing with his toys, running them through the paces of his little circus.

A policeman has an amazing arm-one that stretches up to at least 10-12 feet. At times, he uses it to be very helpful to the local citizens, and at others he uses it to enforce the law.

Hardly one of French filmmaker Abel Gance's masterpieces, The Torture of Silence nevertheless has more dramatic and psychological value than your average romantic-triangle tale. Simply put, the film concerns a doctor, his wife, and his brother. The doctor, a specialist in pediatrics, has no time for his wife Marthe. She seeks solace in the arms of his brother. Unable to keep up the charade, Marthe attempts to shoot herself, but it is her lover who is mortally wounded.

A young peasant woman decides to become a tractor driver.

Silent film social drama

After amusements working in a restaurant, Charlie uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

Many of its members are spending a leisurely day at the the El Caballero Golf Club, the most beautiful in California. Also visiting for the day is non-member, Billy Divott, a golf enthusiast who is a little too enthusiastic. He seems to cause havoc everywhere he goes, especially as he plays a round of golf and tries to teach who he considers some of the less experienced members the finer points of the game. That havoc is compounded whenever he deals with sand traps, water traps or especially flying insects with stingers.

Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.