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I'm not a gangster, just a businessman. And my commodity happens to be cocaine. With a considerable amount of cash saved from his, ahem, dealings. A London drug dealer is all set to retire abroad and start a new life. However his mob boss Jimmy Price has two jobs for him to do immediately... Layer Cake is directed by Matthew Vaughn. Vaughn is more well known as Guy Ritchie's producer on his early British gangster genre forays. Suffice to say he had some insight into what made those films {Snatch et al} hugely popular with the watching British public. How pleasing it is then to say that Vaughn, by showing restraint and an unfussy approach, has crafted a film that's more than equal to the best of Britain gangster faves, and actually sets new parameters for toning a film. By focusing more on mood and atmosphere over bombastic scenarios, Vaughn, aided by a superlative Daniel Craig as the nameless dealer, lifts the film above its conventional plot arc. In what could have been a standard tale of a man doing one last job before going straight, we, along with Craig, find that all roads are blocked, it's as if there is some higher force at work here. Layer Cake also scores high for its more easy on the eye filming of London, this is no destitute capital where tower blocks loom like monsters over the characters. This London is thriving, vim and vitality, the place to be, seediness is far from the ebullient crowd. Ben Davis' photography perfectly complimenting the engrossing score from Lisa Gerrard & Ilan Eshkeri, both of which serve to make London an extra character in the story. The film however is not perfect, at 105 minutes it's actually too short, something that only becomes apparent when all the plot strands come crashing together in a rushed last quarter. Yet in spite of that failing, the ending delivers a jolt to the system, to crown, what to me at least, is one of Britain's finest and tidiest gangster offerings. 9/10
Absolutely tremendous! I haven't got much (edit: five paragraphs later...) to say about 'Layer Cake', but that's only because it's simply one of those movies that is undeniably outstanding, to the point it's plain and simple that it requires little explanation. I had heard this bandied about down the years as being arguably Daniel Craig's best, though that is all that I knew about it. What a film! I knew it was one of my favourites because I got goosebumps as soon as the credits rolled as I processed it and that only happens for the movies I adore. Going back to Craig, that man is superb in this, definitely one of the best performances of his that I've seen - up there with 'Knives Out'. That's also saying something, given his other stellar stint as that spy geezer. Michael Gambon is, though, the one I enjoyed most. I'm already a big fan of his, though here he is also a notch above; his voice is up is just so iconic. Away from Craig & Gambon, I lost track of all the known faces that appeared *insert Rick Dalton meme here*. Crazy to see Tom Hardy in this and that he's used the least of his whole crew! I also didn't even recognise Sally Hawkins, despite seeing her name in the opening credits! Simply put: It's brilliantly entertaining! I loved every second, quite literally. It gave me exactly what I wanted from a British gangster flick, so many from this subgenre fail to correctly tow the line between the crime and comedic gangster elements so it can either be cringe or boring, or even both. This, however, utterly nailed it for me. It also holds a pleasing score, you give me that, an entertaining plot and a fantastic cast then, I'm afraid, I am gonna love your movie. It does surpass (the great) 'Stardust' as my standout Matthew Vaughn flick.
A biographical film about a Czech mechanic and designer who was the first in the Czech lands to construct a steam car.
When a gangster named Heeralal gets arrested, he befriends Johny, a petty thief, in prison. He seeks Jony's help in executing his mission of smuggling a few diamonds. Johny, however, is an undercover CID officer named Sohan.
The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
Miss Meadows is a school teacher with impeccable manners and grace. However, underneath the candy-sweet exterior hides a ruthless gun-toting vigilante who takes it upon herself to right the wrongs in the world by whatever means necessary. For Miss Meadows, bad behavior is simply unforgivable.
An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.
The Raffin Commissioner investigates the murder of an industrialist and it soon becomes apparent that the activities of the relatives of the deceased all revolve around the Folies-Bergere.
In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.
A husband and wife struggle to keep their marriage alive until they realize they are both secretly working as assassins. Now, their respective assignments require them to kill each other.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.