Back to the Future (Part II): Behind-the-Scenes Special Presentation

A documentary about the Battle of Gettysburg during the US Civil War.

The Handley Page Halifax four-engined heavy bomber was the unsung hero of Bomber Command during the Second World War. It flew over 39,000 sorties over enemy territory, towed gliders, dropped agents, carried cargo, and pioneered electronic warfare. In all 6,178 were built. Today only three remain.

Virgin School follows the emotional and physical journey of 26-year-old virgin James as he embarks on a unique four-month course for sexually inexperienced men in Amsterdam

The film provides a historical overview of the history of the Palestinians between 1948-1974 and shows the living conditions of Palestinians in territories occupied by Israel since 1967.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Before the court of the Inquisition, the scientist Galileo defends his position in favor of Copernicus' thesis that the Earth revolves around the sun.

A distinguished military leader whose reign was touched by great scandal, shocking betrayals and rousing victories. A simple shepherd boy chosen to be king, under the watchful eyes of prophet Samuel.

The highlights and newsmakers of 2018 are brought to the fore in this year-end review.

Historian David Starkey tells the story of the Protestant Reformation and how it transformed the face of modern Europe, unleashing fundamentalism, terror and religious violence.

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."