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A man eats a sheet of blotter acid, begins hallucinating, receives messages from his television, and turns into a maniac
Richard Gantz has no chance of paying rent, keeping a job or finishing a movie project. Everything changes when he gets recruited by the aging zodiac killer to make him a film, while collecting "slaves for paradise."
Young CJ Wyatt is in the center of the strange killings in her home town. CJ learns that each of her friend's murders gets the killer one step closer to her discovering the terrifying truth of the mysterious "Screamwalkers"
An alien disease spreads like wildfire infecting a chain of unsuspecting victims. A man and his dog are all that stand in the way of containing the danger.
Sorority girl Kim (Tina Krause), who was killed in the original film, has returned as a zombie. Now she needs the blood of three young women in order to survive. Luckily for her it's pledge night.
A father and son serial killer duo terrorize a group of hikers before a tragedy conjures a killing spree.
A ritualistic serial killer is beheading victims all over a city, and those surrounding the case are pulled into his world as they try and stop him.
A government agent cursed by lycanthropy goes on a dystopian fueled adventure to find his son, who has parted ways with his father.
A young man who works at a nursing home uses the legendary Zodiac killer's M.O. to kill people who neglect their elderly relatives.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.