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The Rainmaker - (Aug 31st)
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Learning to Love - (Aug 31st)
The Hit List - (Aug 31st)
Great Gardens of Europe - (Aug 31st)
You Bet - (Aug 31st)
Tomorrows World Today - (Aug 31st)
Build for Off Road - (Aug 31st)
Let the Devil In - (Aug 31st)
The Beat with Ari Melber - (Aug 31st)
Alex Witt Reports - (Aug 30th)
Atomic - (Aug 30th)
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Though it's a poor-boy's amalgam of several top-tier satanic horror films from the genre's heyday of the 1970's, I quite enjoyed this TV-movie, which was a failed pilot, for a proposed series that never came (the type of thing that Mia Wallace bragged that she had previously starred in to Vincent Vega in 'Pulp Fiction'). Philadelphian-born director Wendkos made only a handful of feature films from 1957-99, and 'Good Against Evil' has the workmanlike, low-budget yet professional, sheen that comes with the territory. The first half is a cross between 'Rosemary's Baby' and 'The Omen' series, with the difference that a female ('Jessica Gordon') is born, and it cuts from her 1955 birth in New York City to young adulthood in 1977 San Francisco. Another neat difference is that until now, she has been kept completely in the dark of her evil origins, and simply thinks that she has been 'lucky' and has had a 'guardian angel', though she notices that any man that gets close to her perishes in strange fashion, and comes to the distinct conclusion that it's no mere coincidence. Finally, she falls in love (with 'Andy Stuart'), and her birth father, Mr. Rimmin's plans of becoming immortalized through offering his daughter to the demon Astaroth are thus jeopardized. He has to interfere, and just before the two young lovebirds are to be married, he hypnotizes Jessica to forget everything and move to New Orleans, where she can be 'protected' once more. Not wanting to draw more attention by killing yet again, the 'tribe' decides that rather than murder Andy, to simply have him fall in love again with his ex-flame, Linday, staging an accident that puts her daughter into a coma, and possessing her in the process. Thus, the second half, which becomes a poor-man's version of 'The Exorcist'. Though the special effects are minor and laughable with the budgetary constraints, Wendkos does a decent job and the performances are fine. The ending is a bit over-the-top, though I enjoy those ambiguous yet doom-laden endings, by which you don't know what's about to happen, but you just know there's going to be trouble (like the finish in William Friedkin's 'Sorcerer', for example). Personally, I would have been more understated in my approach, simply showing the black cat was on the park bench, and not doing a close-up of its eyes. Plus, I did feel a bit cheated--Wendkos had done a good job of character development and making us care for what happened to the good people in the film, who were all in way over their heads--I wanted to know what happened to these people. So on the one hand, I can see why the pilot was unsuccessful, but I wish that at least a Part Two had been made. All things considered, if you enjoy satanic horror movies from the 70's as much as I do, it's well worth a look.
Blade forms an uneasy alliance with the vampire council in order to combat the Reapers, who are feeding on vampires.
The Daywalker known as "Blade" - a half-vampire, half-mortal man - becomes the protector of humanity against an underground army of vampires.
For years, Blade has fought against the vampires in the cover of the night. But now, after falling into the crosshairs of the FBI, he is forced out into the daylight, where he is driven to join forces with a clan of human vampire hunters he never knew existed—The Nightstalkers. Together with Abigail and Hannibal, two deftly trained Nightstalkers, Blade follows a trail of blood to the ancient creature that is also hunting him—the original vampire, Dracula.
Philip, a solitary proof reader, is trapped in his apartment, too afraid to leave and tortured by an unknown evil force that has kept him prisoner for the last two years.
The quirky and heart-warming story of Jess, who goes on the greatest first date of her life, but inadvertently ‘ghosts’ Ben when she tragically dies in a car accident on the way home. Stuck on Earth, with no idea how to ascend, Jess will need the help of her best friend Kara, the only person who can still see and hear her.
This is a true story that happened mid-2012: Mahisa (Evan Sanders) wants to help a movie star named Asha (Celine Evangelista) who feel annoyed by the spirits. Due to too many strange incidents he sees, Mahisa is convinced that Asha is possessed by a supernatural being. After consulting with the famous ustad, he tries to do ruqyah (exorcism) to clean Asha. It turns out that what possesses Asha is not easy to be released, even attacking Mahisa. What possesses Asha is meant to be "charmer" to be liked by many people. Mahisa is also attracted to Asha.
A troubled actor begins to unravel while shooting a supernatural horror film, leading his estranged daughter to wonder if he's slipping back into his past addictions or if there's something more sinister at play.
When three college students move into an old house off campus, they unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to prey upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man's existence a secret to save others from the same deadly fate.
Hugo is a brilliant turn-of-the-century scientist, loved and respected by his family and friends, admired by his colleagues. But he is a man quickly becoming obsessed with a curious and frightening question... what is the mysterious apparition found in the photographs of his dying subjects?
A Korean horror film about an adopted young boy with a strange link to an old, dead acacia tree. As the boy settles in to his new home, the tree comes to life. When the family who adopted him becomes pregnant, he is to go back to the orphanage, and horror ensues.
A satanic cult led by Baron Corofax kidnaps three young people and Father Roche & Milo must save them from the hands of this evil.