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The Last American Vagabond - (Feb 3rd)
Common Side Effects - (Feb 3rd)
When Calls the Heart - (Feb 3rd)
Scars of Beauty - (Feb 3rd)
Married to Medicine - (Feb 3rd)
The Real Housewives of Potomac - (Feb 3rd)
TMZ Live - (Feb 3rd)
The View - (Feb 3rd)
LIVE with Kelly and Mark - (Feb 3rd)
The Last Socialist Artefact - (Feb 3rd)
60 Minutes - (Feb 3rd)
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The Read - (Feb 3rd)
Delicious Miss Brown - (Feb 3rd)
Austin City Limits - (Feb 3rd)
90 Day Fiance- Before the 90 Days - (Feb 3rd)
Home Town - (Feb 3rd)
Very Scary People - (Feb 3rd)
Great Migrations- A People on the Move - (Feb 3rd)
Homestead Rescue - (Feb 3rd)
**Very meticulously done and fun to watch** "Mirada de Cristal" perfectly captures the essence of Italian horror productions from the late 70s and 80s and this is something that I personally loved to see. It features all the elements that made those movies from that particular era so fun to watch: an uncomplicated plot with the right amount of mystery, fun characters, creative death scenes, a killer wearing a very distinctive mask, a bright color palette and great music. While watching "Mirada de Cristal", I couldn't help but thinking of one of my favorite Italian horror flicks from the 80s, like Michele Soavi's "Deliria" (aka "Stage Fright"), especially with all those colorful lights, the flamboyant characters with diva attitudes and the creative death scenes. The characters are one of the many things I love about this flick: they are clearly supposed to be over the top and somewhat campy, so I also give credit to the actors for delivering their lines in a way that was very evocative of those flicks from the 80s. I especially enjoyed seeing the late Silvia Montanari and veteran actress Claudia Lapacó in a small role towards the very end. To be fair, though, most of the cast members were up to the task, not only the most famous ones. Though the budget was modest (and it shows from time to time), directors Ezequiel Endelman and Leandro Montejano used it wisely enough for the most part. They tried to recreate the aesthetics of the dance academy from "Suspiria" (1977), which is not exactly easy to do with moderate budget, but somehow, they managed to get the job done (hell, we even get a brief glimpse of ornamental glass peacock!). I regret to say that, at times, the scenery looked perhaps a little bit too stiff and cartoonish. I don't know if this was intentional or not, but I personally didn't care for it that much. That being said, I'll take artificial scenery over lousy CGI any day! For the most part, the scenery was great. The photography and the strident color scheme was very well done and it reminded me of Dario Argento's "Inferno" (1980), for the most part. Throughout the entire film, the killer wears a patent leather trench coat, high heels and a creepy mask of a woman with heavy makeup and dead eyes. When chasing his/her victims, the killer walks as if he/she were on a catwalk, even going so far as to strike glamorous poses (how can anyone not enjoy the deliberate campiness of this?). The chase scenes are very well done, providing just the right amount of tension and without being unnecessarily prolonged. As for the kills, they are really creative and intentionally over the top (the one with the crystal bird was just perfect). As for the killer's identity reveal, well, it really wasn't very surprising, but, who cares? Most "old-school" slashers were predictable to a certain extent too, so I don't consider this a flaw. I really enjoyed this movie and I think those who have watched more than a couple of Italian/American horror productions from the 80s will be able to acknowledge that both directors really have a tremendous passion for horror flicks and they put a lot of effort into this. They evidently cared about their film, nothing felt rushed, they took a lot of time and dedication to take care of even the tiniest details and it shows. When something is done with such devotion, it most likely ends up getting the recognition it deserves.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
Several people get locked in a turkish bath at night, being hunted by a brutal serial killer, who seems to be seized with the T.T. Syndrome, a brain malady that leads to painful sociopathy.
Sloan Carter is a young girl who has recently been blinded. Her father leaves for the weekend and her two best friends, returning home from University, keep her company. A protege of her father's, passing through town, also spends the night. The peaceful weekend is interrupted by a shadowy threat and the safe country getaway turns into a fight for survival.
After going on a killing spree in 1984, the legend of the Pumpkin Man returns once again to slay more victims 30 years later.
A wearer of a parasitic mask with black magic sheds blood on Halloween. 16 years later, a killer with the same profile slaughters Angel's friend, who then must fight fear, overcome personal struggles and unmask the murderer before someone else dies.
Three young hikers in the woods settle down by a campfire to relax and have a good time, but someone is watching them.
Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.
A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.
Tourists take a boat to a remote island, where they find that most of the people have disappeared, and something is stalking them. They find a hidden room in the big mansion on a hill, and an ancient diary, which gives them clues to the source of the terror.
Greta is a beautiful young woman abused by her brother Franz and left to die in childbirth by her illicit lover, the aristocrat Dr. von Ravensbrück. Bereft with grief, Franz reanimates his dead sister using a formula engraved on an ancient Incan medallion. Greta then returns as an undead avenging angel, reaping revenge on the Ravensbrück family and her manically possessive brother.