Our New President

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

An insider's look at the fake news phenomenon and the consequences of media misinformation. Interviews from those who have been accused of spreading it themselves are featured in variety throughout the film.

This short film, produced at the end of WWII, warns that although Adolf Hitler is dead, his ideas live on.

Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

Robert Mitchum narrates an anti drug propaganda film.

Ronald Reagan hosts and narrates this documentary about the Communist threat to the free world. Alexander Kerensky, the first premier of the provisional Russian Government in 1917, formally introduces the film. This documentary traces the development of the Communist movement from birth, the Lenin years, its struggle for direction, the Stalin years (featuring a response by Leon Trotsky attacking the Stalin purges) and the ascendancy of Nikita Krushchev.

Documentary that travels the world to better explain one of the biggest phenomena of our time: the Fake News. United States, Russia, England and Macedonia are some of the places explored. The conversations range from journalists, media, television, to big issues behind everything.

The absurd and often surrealistic story of the last propaganda film of the Third Reich.