Blood for Dust 2023 - Movies (Apr 19th)
Rebel Moon - Part Two The Scargiver 2024 - Movies (Apr 19th)
Asphalt City 2023 - Movies (Apr 19th)
Late Night with the Devil 2023 - Movies (Apr 19th)
Problemista 2023 - Movies (Apr 19th)
Ghostbusters Frozen Empire 2024 - Movies (Apr 19th)
The Christmas Break 2023 - Movies (Apr 19th)
The Christmas Detective 2023 - Movies (Apr 19th)
Meet Me in Paris 2023 - Movies (Apr 18th)
Never Alone For Christmas 2023 - Movies (Apr 18th)
Peppermint and Postcards 2023 - Movies (Apr 18th)
The Braid 2023 - Movies (Apr 18th)
A Royal Christmas Surprise 2023 - Movies (Apr 18th)
Civil War 2024 - Movies (Apr 18th)
The First Omen 2024 - Movies (Apr 18th)
All You Need Is Death 2023 - Movies (Apr 17th)
The Dive 2023 - Movies (Apr 17th)
Bad Hombres 2024 - Movies (Apr 17th)
Immaculate 2024 - Movies (Apr 16th)
An American Bombing The Road to April 19th 2024 - Movies (Apr 17th)
Red Island 2023 - Movies (Apr 16th)
Passenger - (Apr 19th)
After Midnight - (Apr 19th)
Big Little Crimes - (Apr 19th)
Deadliest Families - (Apr 19th)
Four in a Bed - (Apr 19th)
TNA iMPACT! - (Apr 19th)
So Help Me Todd - (Apr 19th)
Selling Houses Australia - (Apr 19th)
WWE The Bump - (Apr 19th)
Watch What Happens Live with Andy Cohen - (Apr 19th)
Franklin - (Apr 19th)
Summer House - (Apr 19th)
David Lomas Investigates - (Apr 19th)
Theresa Caputo- Raising Spirits - (Apr 19th)
Swamp People- Serpent Invasion - (Apr 19th)
Swamp People - (Apr 19th)
WWE Main Event - (Apr 19th)
The Cook Up with Adam Liaw - (Apr 19th)
The First 48 Presents Critical Minutes - (Apr 19th)
Ghosts - (Apr 18th)
The russians have placed a mole within the Circus (who is the british intelligence service, by the way). George Smiley (Gary Oldman), having been fired from the Circus, has now been rehired (secretly) to find the mole. He assembles his small team and begins to look into the matters. The possibilities are plenty, Percy (Toby Jones), Esterhase (David Dencik), Roy Bland (Ciaran Hinds) and Bill Haydon (Colin Firth). His old friend, Control (John Hurt), even suspected George himself of being the mole. This movie is directed by a personal favorite of mine, Tomas Alfredson, who also created the vampire movie, _Let the Right One In_ (Lad den rette komme ind), as well as the amazing, _Four Shades of Brown_ (fire nuancer af brun). He is a master of creating a dark and mysterious atmosphere, and does exactly that in this movie. The pace is slow, the music is scarce and the colours are old and faded, perfect for a spy movie such as this. Watching this movie is like watching a puzzle being carefully put together in front of you. It takes time to get it just right, and you have to look carefully at all the pieces. Good things takes time, and this movie understands that. The viewer has to watch carefully, because it constantly goes from the present and into the past. People who have died, are resurrected in the memories of the past, to help us construct the final image. _Last words... this movie will not appeal to everyone, it requires the viewer to be active, watch carefully, and to appreciate the slow narrative. I will gladly admit that I have tried watching this movie three times before I finally succeeded in watching all of it. I am not normally a fan of these sort of movies, but I can always appreciate spectacular acting, and the craftmanship of a truly great director, and so, this movie becomes so much more than just a spy movie. It becomes a movie about people living on the edge of a war, trying to survive, trying to find the one threat that might break down the wall and destroy the british empire._
Great cast, nice cinematography and a fascinating plot. 'Tinker Tailor Soldier Spy' is very much a slow burn but it's worth it at the end, even if I wouldn't describe the premise as unpredictable - it isn't predictable per se, I just can't say I was majorly surprised at what occurs that's all. It's not as complicated as the film suggests I feel, that's not a criticism but I'm just saying if I wrote down what I thought was going to happen at the start and checked it at the end, I'd be mostly right - at least with an outline. That's not me being big headed, I just feel it throws a lot of false curve balls to go around the houses a tad. The only part, to be honest, I didn't fully get while watching was the Polyakov bits. All the cast give excellent performances, with Gary Oldman (Smiley) and Colin Firth (Haydon) standing out most. You've also got Tom Hardy (Tarr), Mark Strong (Prideaux), Benedict Cumberbatch (Guillam), Stephen Graham (Westerby) and Toby Jones (Alleline) all there too. You can't really go wrong with a list like that. The onscreen talent carry events, but this is still a film that keeps you watching and paying attention - just not to a deep, deep level. With everything said, I still enjoyed this. You should definitely give it a view.
**Despite a great cast and good script material, the film is tiring, stagnant, a bit gray and boring to watch.** This film is a remake of an older film from 1973 (I haven't seen it yet, but I intend to), both of which are film adaptations of a spy novel that was written by John Le Carrée. Being the original story known for its quality and this film being an elaborate super production and with a cast full of established names, I was expecting a great film… but the truth is that I felt disappointed in that expectation. The movie is not as interesting and good as I would have liked. In fact, the film has a lot of well-known actors, with the strongest and most impactful performance given to us by an experienced Gary Oldman. The actor regained his native English accent and was able to masterfully adapt to the character, fully deserving the Oscar nomination for Best Actor he received that year. Besides him, Toby Jones and Colin Firth were also in great shape in this film, but Benedict Cumberbatch, John Hurt and Tom Hardy are not far behind them. The story is relatively simple: in the midst of Cold War intrigue, MI6 tried to help a Soviet officer defect in Budapest. This officer knew the identity of a double agent, undercover in the British services. However, the operation goes very badly and it becomes evident to the leaders of MI6 that there really are one or more traitors, very well placed within the secret service. To find out who they are, they call in George Smiley, a retired agent with a lot of experience. On a technical level, I can't help but appreciate the dark cinematography and the way it tries to recreate the dirty, foggy and somewhat paranoid atmosphere of Cold War London, in addition to the atmosphere of British houses of that time and all the effort of the set and costumes. The film is effective in its effort to transport us to the time and context, and manages to place itself in a pleasantly paranoid environment, where everyone is suspicious of everyone else. It's not an action movie and, therefore, the effects are few and discreet, functional. Despite strong performances from the cast and excellent source material and well-written script, the film has two main issues: atmosphere and pacing. Tomas Alfredson deliberately slowed the film, and that makes the film tiresome and boring, if you add the lack of movement, the endless dialogue, the way each action and movement takes as long as possible in front of the camera. Also, one has to be very attentive to the names of the various characters, and their role in the film, or we will never understand the plot while watching the film.
Many folks will remember the wonderful BBC adaptation of this John Le Carré story that featured the late Sir Alec Guinness as the measured and sagely "George Smiley" character. This time, this almost as superior adaptation places an on-form Gary Oldman in that role. What role? Well having just been pensioned off, he is re-recruited by "C" (John Hurt) to try and track down a KGB spy deep within the fabric of MI6. It's fair to say that, as this story starts to unfold, we discover there are plenty of suspects and the classily written story bombards us with characterful and suspicious scenarios that might be true, might be half-true, or might just be genuine red herrings! A formidable cast of British stalwarts add richness to this complex but not convoluted tale of deceit and betrayal. Tom Hardy, Colin Firth and even the usually unimpressive Mark Strong chip in well but my plaudits go to the truly odiously ambitious Toby Jones ("Alieline") and to Benedict Cumberbatch's "Guillam". Tomas Alfredson has paced this film well. It can appear slow at times, but on the second time of watching I appreciated there was much more substance to some of the dialogue, the nuanced efforts from the stars and from a very well crafted period production. It just goes to show that less can definately be more when the writing and acting do all the heavy lifting in concert, leaving the pyrotechnics and visual effects in their boxes.
Ivo Rombouts is the personal driver of Frederik Bulinckx, CEO of a petrochemical multinational. Frederik looses himself in alcohol and women. His greed for money drives him straight into the arms of Russians who want to take over the company. Ivo tries to pull Frederik out of his downward spiral, but has his own personal problems to deal with...
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
Leia can't seem to find anything in her surroundings that would help her get some inspiration for her drawing. She feels stuck and burnt out until she has a dream that finally gives her the motivation she needed. She then realizes that you can't force art, it comes unexpectedly and naturally.
Arthur Milton aka Der Hexer (The Magician/Ringer) must return to London after his calling card was left at the scene of a murder he did not commit.
Rogue agent Gabriel Shear is determined to get his mitts on $9 billion stashed in a secret Drug Enforcement Administration account. He wants the cash to fight terrorism, but lacks the computer skills necessary to hack into the government mainframe. Enter Stanley Jobson, a n'er-do-well encryption expert who can log into anything.
An ambitious reporter probes the reasons behind the sudden split of a 1950s comedy team.
After being murdered by corrupt colleagues in a covert government agency, Al Simmons makes a pact with the devil to be resurrected to see his beloved wife Wanda. In exchange for his return to Earth, Simmons agrees to lead Hell's Army in the destruction of mankind.
North Korea's 8th Special Forces hijack a shipment of CTX, a potent new liquid explosive, and threatens South Korea as part of a plot to re-unify the two countries. Ryu and Lee, special agents of O.P., South Korea's secret intelligence service, attempt to track down the terrorists and find the CTX. Meanwhile Hee, the 8th's ultra-bad female sniper, resurfaces to wreak havoc and haunt Ryu.
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
The story of Rubin "Hurricane" Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.
Agent Lam (Tony Leung) sets out to track a pair of plates used to make fake American dollars. When he discovers the plates, they are conned out of him by enigmatic US Embassy workers Owen (Richie Ren) and JJ (Shu Qi). With the trail now leading to Korea, Lam sets off in hot pursuit. There, amidst the dangerous and glamorous urban landscape of Seoul, Lam finds himself confronting an underworld crime boss known as the Polar Bear, head of the biggest counterfeiting organisation in Asia.