Right to Work March

The dramatic behind-the-scenes story of All Black Stephen Donald and the pentaly kick that saved the 2011 World Cup.

Finding community via his gay rugby league, Jamaican-born Desmond navigates life, love, and identity as an immigrant living in Munich, Germany.

Swedish metal band The Order Of Israfel perform a selection of songs off their first album 'Wisdom' at the Sweden Rock Festival on June 3rd, 2015.

Experience the energy from one of Queen + Adam Lambert's TEN sold out 2022 concerts at London’s O2 Arena in a live concert film delivered digitally to your home. The band will also be participating in a LIVE Q&A where they will answer fan-submitted questions from backstage at one of the final Rhapsody Tour concerts to introduce the show.

Jean, 18 years old, is the prodigy heeler of his village rugby club. While his team is defending its title, he falls madly in love with Ayoub, a player from the opposing team. The brotherly relationship he has with his teammates turns out to be more fragile than he thought.

About how the social environment affects Mazhar's consciousness/inner world and his effort to get rid of the stuckness he is in.

Mark, a new and inexperienced rugby club member, finds himself drawn to Warren, a seasoned first team player. When a series of happenstances at an away fixture lead to a drunken encounter, Mark and Warren unwittingly embark on a romantic affair they struggle to hide from their partners and teammates.

A film about the Tibetan Freedom Concert in San Francisco in 1996.

Ralf Paeschke is a film student who has to make a documentary film about a group of women working in a lamp factory. There is brazen Susie, mischievous Kerstin, lonely Anita, single Ella, withdrawn Gertrud and the imposing forewoman. When Kerstin is suspected of stealing, tension among the women mounts. Ralf demands that things be clarified, and his film plays an unexpected role in the matter.

A peculiar homage to the things that go wrong, this film is purportedly about rugby. The self-explanatory title for this jumpy “documentary” is less concerned with the filmed subject (the game, the field, the players) than a comic editing style and the complete acknowledgement given to the technical aspect of gathering and manipulating raw footage.