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The Voice - (May 7th)
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Australian Crime Stories- The Investigators - (May 7th)
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The Honesty Box - (May 6th)
Earth Odyssey with Dylan Dreyer - (May 6th)
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The Young and the Restless - (May 6th)
Piers Morgan Uncensored - (May 6th)
Scotlands Home of the Year - (May 6th)
Katy Tur Reports - (May 6th)
The Bold and the Beautiful - (May 6th)
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The Bidding Room - (May 6th)
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Hardwicke clones Twilight style on every way in this movie: photography, editing, dialogues, disconnected story telling and even the looks of the male hero. However, the script is interesting and keeps you hooked on not knowing what's going on until the end.
This artistic masterpiece is unfortunately undervalued. Unfortunately, Warner Bros. Entertainment does not know its worth, and due to their lack of interest in it, it has become obscure. This artistic masterpiece must be revived again. Warner Bros. Entertainment must do this, just as 20th Century Fox did when it released two improved releases of the Titanic movie in 2003 and 2012. Who would believe that a movie released in 1997 is now available in 4K quality and 3D technology?! Warner Bros. Entertainment must re-release the movie trailer in 4K quality as a first step to correct its course, and launch a new strong marketing campaign for the Red Riding Hood movie, just as it launched a strong marketing campaign for the Barbie movie that does not deserve it. They should do this for the movie that deserves it, not the opposite. Essentially, the reason for the lack of fame of the Red Riding Hood movie was the failure of Warner Bros. Entertainment in its marketing campaign for the movie, as it was a very weak campaign, in addition to its excessive pursuit of the PG-13 age rating instead of accepting its R-rating, which led to changing the ending for the PG-13 rated cut. The reason was not the movie itself or the director Catherine Hardwicke. In fact, Catherine Hardwicke directed the movie in an unimaginable way, especially in the unrated original cut of the movie known as the Alternate Cut. The existence of a rated cut without additional terms such as (Alternate Cut) does not necessarily mean that it is the original cut. In fact, the original cut is the one that was not modified to fit the PG-13 age rating. The original cut is the one that was released as is without modifications. The original cut is the one that the MPAA did unrate, so you always find the word Unrated next to it. The original cut is the Alternate Cut, and it was not named Director's Cut because Warner Bros. Entertainment changed the ending of the PG-13 rated cut to fit the PG-13 age rating. Therefore, it is no longer possible to name the original cut as Director's Cut, as this title does not include the change in the ending. Therefore, they had to name the original cut as the Alternate Cut to include the change in the ending. As you know, production companies do not like the R-rating because it narrows the audience range, which reduces revenues. Therefore, Warner Bros. Entertainment pressured Catherine Hardwicke to modify the movie to be released with a PG-13 age rating instead of an R-rating. This explains why the ending was changed in the rated cut compared to the unrated original cut. In my opinion, both cuts are successful artistic masterpieces, but the original cut is more artistically successful, and I loved it more. My rating for the rated cut (modified) is 9/10, and my rating for the unrated original cut (Alternate Cut) is 10/10. It is the best and greatest of all time in presenting the story of Red Riding Hood, and no movie surpasses it in presenting this story. Thank you, Catherine Hardwicke, for this artistic masterpiece.
Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.
Screen adaptation of Eichendorff's famous novella. A penniless drifter roams the land with his violin and preferably sings his songs to beautiful women. Two of his female admirers get him employed as a gardener at a castle. Yet he doesn't settle down for long, and moves on to his next temporary job as a customs officer. Finally, he travels to Italy where he joins the gang of Rinaldo Rinaldini and eventually meets the love of his life.
The second chapter in the Refrain Blue series focuses on Nao Morisawa and the events that happened at the summer camp last year, with her and Yoshihiro Matsunaga both unable to let go of feelings of the past.
In the last chapter of the Refrain Blue series, the bond between Yoshihiro Matsunaga and Nao Morisawa grows stronger, while Yoshihiro finally finds out the identify of the mysterious girl from the first chapter.
Everyone has Halloween, but in Yorkshire, they have Mischief Night, where madness and mayhem rule. In the course of one night, the barriers that separate two families—one white, one Asian—come tumbling down in a blaze of crime, clubbing, love and fireworks—changing all their lives forever.
Mona Bergström is a sweet eurovision-obsessed woman in her 30s. She is married to a lazy husband and has four children, all named after her favorite Swedish Eurovision popstars. Her brother is a crossdressing guy self-titled "Candy Darling". Mona works in a retirement home for disabled people, where she is responsible for taking care of a young man named David who suffers a movement-restricting disease forcing him into a wheelchair. David's parents have abandoned him, as they wanted a normal child. Mona holds a big place in David's heart, and vica versa. David's goal is to get his parents to come and visit him, and he wants to show them that he is a great person, despite his handicap. Therefore he works with music on his computer, and his goal is to create a song, send it to "The Cardigans", a famous Swedish band and have them play the song and credit him, hoping his parents would spot it and want to visit him.
When minor-league hockey player Derek Thompson - who has a penchant for knocking out his opponents' teeth every time he plays - disillusions a fan, he is sentenced to a stint for one week as a bona fide, tutu-clad, real-life tooth fairy. Soon, Derek is inspired to rekindle his youthful dreams.
Geraldine and her two daughters, Livvie and Angeline, are living rough on the streets on London. When their van blows up, they must find an alternative place to stay. At first, they live in temporary housing, but the conditions are unbearable. Geraldine reacts quickly and the family decides to take up residence in Scottley's, the best department store in London. They must keep it a secret from doorman Brian (whom the girls call Mr. Whiskers), and a couple of bumbling thieves who want to rob the store safe of its jewels.
An exploration of the impact of schizophrenia on a young woman and her family in today's Calcutta. The narrative pivots around the relationship of two sisters, older sister Anjali is a successful professor with a powerful personality. She is the anchoring rock for her family and carer for her sister Meethi whose progression into schizophrenia has been speed ed up by traumatic experiences. Anjali has always dominated the life of her attractive younger sister, and jealously warded off Meethi's handsome fiancé Jojo with fear of Meethi's impending illness. Years later when Meethi and Anjali are on holiday in the Hills there is a chance meeting with Jojo, now with his new wife and children. He is shocked to discover that Meethi does not now recognize him, but lives in a world visited by an imaginary husband and children of her own.
Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.