No Roads In

We begin at the train station near Montana's Glacier National Park, where Blackfeet Indians meet the arriving tourists. Glacier Park, an off-screen narrator tells us, has the remnants of 60 glaciers, from three ice ages. We visit the lodge, built in Swiss style, where college students dressed in Swiss garb do the serving at the restaurant. We watch Indian dancing and a ceremony. After views of lakes, mountains, and trails in the park, it's north to Canada's Waterton Lakes, a vacation spot for Canadian and U.S. families.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

Shot during Maiden's historic tour of Poland and other parts of the Eastern Bloc in 1984, featuring interviews, live and offstage footage, capturing the atmosphere of this remarkable journey behind the Wall at the height of the Cold War.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

The film accompanies musicians who have devoted themselves to new, uncharted sounds with a great deal of passion. They build new instruments and work with quotidian noises. In the process, the ostensible noise often becomes sound. An adventurous journey of discovery into the realm of noises and sounds, rhythms and stillness. Together with people who listen closely and without reservation. A film that aims to engage viewers to listen with their eyes and see with their ears. Astonishingly sublime.

This Traveltalk series short takes the viewer to Quebec, the city that was called the "New France".

From Metal Day at the US Festival, May 29 1983. Setlist: 1 Danger Zone 2 Run for Cover 3 Love's a Bitch 4 Cum On Feel the Noize 5 Slick Black Cadillac 6 Let's Get Crazy 7 Battle Axe 8 Let's Get Crazy (reprise) 9 Metal Health (Bang Your Head)

1) Intro (Resurrection) [00:05] 2) Bye Bye Beautiful [03:25] 3) Dark Chest of Wonders [07:40] 4) Whoever Brings the Night [13:10] 5) The Siren [18:00] 6) Amaranth [22:50] 7) Sacrament of Wilderness [27:15] 8) The Poet And the Pendulum [32:30] 9) Ever Dream [46:35] 10) While Your Lips Are Still Red [52:50] 11) Wishmaster [57:15] 12) Sahara [62:15] 13) Nemo [68:35] 14) Wish I Had an Angel [75:45]

Melissa Etheridge video of her tour for the album Lucky. The April 17, 2004, performance at New York City's Roseland Ballroom featured here runs 81 minutes and includes only the 13 Lucky tunes.

Led by the success of the B-52's and R.E.M., Athens, Georgia was the most happening music scene in the country by the mid 80's. Following several different bands from different genres, this film paints Athens as a magical artistic environment where bands are not in competition, but co-exist in harmony and share the ideals of the land. Live performances of R.E.M.'s "Swan Swan H" and "Dream (All I Have To Do)" at the Lucy Cobb Institute chapel are included. Also featured are performances and interviews frm the B-52's, Pylon, B-B-Que Killers, Time Toy, Jim Herbert, Flat Duo Jets, Love Tractor, Kilkenny Cats, Squalls and more

Polar Life’s novelty was its theatre, with the audience seated on a central rotating turntable in the middle of eleven fixed screens. Viewers have described the intricate juxtaposition of screen images and narration and the complex relationship created between moving spectators and multiple screens. Documentation images and scripts of the bilingual narration by Lise Payette and Patrick Watson show elaborate temporal and spatial representations of the Arctic and Antarctic regions: the Inuit in daily activities in the Canadian North; other northern peoples of Alaska, Lapland, and Siberia; and settlers from the South, scientists, explorers, and other inhabitants of the landscape, including reindeer, bears, and birds. Archival film footage of early northern explorers, combined with newly shot documentary footage, was edited across the various screens to create spatial relationships that are sometimes coherent, sometimes fragmented.