The Last Birthday

On the night of his brother's wedding, best man Charlie gets the old gang back together for a fun-filled, post reception after party, at the newlyweds' home, where he has been staying for several weeks. Unsure of how to proceed with his own troubled marriage, Charlie reunites "the fellas" fifteen years after high school, in hopes that revisiting the past will help him find clarity for the future. What he finds, however, is that while his friends have all taken different paths, they are all faced with similar conundrums that comes with being in one's thirties.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

A coincidental meeting between an Israeli boy and a Palestinian boy leads them to discover that reality is different than what they have been told.

An odd young woman paralyzed by severe OCD (obsessive compulsive disorder), discovers dance as way to deal with her rituals.

Emma is addicted to chewing gum and in the middle of puberty, but doesn't really want to admit it. She doesn't want to do anything with her sandpit friend Lasse other than swinging, playing with her father's railroad world and chewing gum - nothing should change. But Lasse suddenly has a girlfriend and, even worse, he's also interested in sex.

With a script co-written by Weimar-era sexologist Magnus Hirschfeld, this enlightened drama deals with WWI soldiers who have become impotent due to wounds but still want to marry.

Based on the play and subsequent operetta of the same name.

The young student Mary spends the beginning of her holiday with boat trips, visits to her wealthy groom, and gardening. In fast-paced, rhythmic cuts, Louise and Jakob Fleck draw their audience into a carefree, urban romantic comedy. With a single scene, however, it turns into a melodrama about sexual violence, shame and perpetrator-victim reversal.