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The film is a free adaptation to fiction of the life of one of the worst communist guerrillas that ever lived in Brazil. It can not be considered a biographical film, much less a documentary, since many situations and scenes were created by the film director, niece of the terrorist, to substantiate the character's "hero" thesis. No matter how clear the interest in humanizing Marighella, trying to turn it into myth, the insistence on trying to associate it simply as an uncle, an ordinary man, is no longer a mere initial curiosity and gradually becomes an exaggeration unnecessary of the director. This duality, between the familiar and historical aspect, punctuates the whole film, provoking a clear conflict in the "documentary", making it a work of fiction. In the real life, the main character was never black, but in the film, the discourse of humanization and equality, loses space for the victimization of this criminal, responsible for several brutal murders during the Period of Military Intervention in Brazil (1964-1981). Unfortunately, when political and ideological discourse seeks to be superior to the production of a work of art, we have only the production of a mediocre film, disguised as a documentary that seeks to present only one facet of Brazilian history in this period. Wanting to justify brutal killings for simple acts of political intolerance.
A tad slower than I would've liked, though 'Marighella' is still very good. Seu Jorge puts in a noteworthy performance throughout, all the more impressive given acting isn't his bread and butter. I also enjoyed Bruno Gagliasso in this, not his character of course but the actor's showing is good. The rest of the cast, e.g. Humberto Carrão and Luiz Carlos Vasconcelos, merit praise too. I can't say I knew anything about Carlos Marighella (surname did ring a slight bell beforehand, mind) or even much about this era of Brazil, which is something I actually prefer as I like to judge a film as a film and not having prior knowledge only helps that. Therefore, I wouldn't know how truthful this biopic is or isn't but I will say it doesn't hold much back - there are some very rough scenes scattered across the near 3hrs. Speaking of the run time, I do think it's ever so slightly overlong - I was never pining for the finish or anything close to that, but there are a few moments where I felt the film could've sped itself up a bit. It's not a true criticism of mine, though.
A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.
Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.
Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.
Jai and Ali return, this time on the trail of an international thief who steals priceless artifacts and has chosen Mumbai as his next target.
The Theory of Everything is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.
The real story of Carlos Lamarca, a captain who, during the military dictatorship in Brazil, deserted Brazilian Army and got involved in left-wing guerilla groups, becoming one of their most prominent leaders.
French military man Adrien Dufourquet gets an eight-day furlough to visit his fiancée, Agnès. But when he arrives in Paris, he learns that her late father's partner, museum curator Professor Catalan, has just been kidnapped by a group of Amazon tribesmen who have also stolen a priceless statue from the museum. Adrien and Agnès pursue the kidnappers to Brazil, where they learn that the statue is the key to a hidden Amazon treasure.
Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.
Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.