Armor 2024 - Movies (Jan 6th)
We Live in Time 2024 - Movies (Jan 6th)
Venom The Last Dance 2024 - Movies (Jan 6th)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Rally Caps 2024 - Movies (Jan 6th)
Love Of The Irish 2025 - Movies (Jan 5th)
Tom Davis Underdog 2024 - Movies (Jan 5th)
Paul Chowdhry Family Friendly Comedian 2024 - Movies (Jan 5th)
John Kearns The Varnishing Days 2024 - Movies (Jan 5th)
Seeking Mavis Beacon 2024 - Movies (Jan 5th)
The Beast of the Bales 2024 - Movies (Jan 4th)
A Different Man 2024 - Movies (Jan 4th)
VICE News Presents Searching for Masculinity 2024 - Movies (Jan 4th)
Cora 2024 - Movies (Jan 4th)
Bloody Trip The Equinox Killer 2024 - Movies (Jan 4th)
AMP House Massacre 2024 - Movies (Jan 4th)
Alien Weekend 2024 - Movies (Jan 4th)
Black Box Diaries 2024 - Movies (Jan 4th)
Disciples in the Moonlight 2024 - Movies (Jan 3rd)
Sonic the Hedgehog 3 2024 - Movies (Jan 3rd)
The Travelling Auctioneers - (Jan 6th)
Bargain Hunt - (Jan 6th)
Ancient Aliens- Origins - (Jan 6th)
Baddies Midwest - (Jan 6th)
Americas Funniest Home Videos - (Jan 6th)
Love During Lockup - (Jan 6th)
A Bite to Eat with Alice - (Jan 6th)
Letters and Numbers - (Jan 6th)
The Chase Australia - (Jan 6th)
The Journal Editorial Report - (Jan 6th)
The Ingraham Angle - (Jan 6th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.
A vogue dancer performs at a Voodoo Carnival Ball, an important dance contest where he will have to prove himself to be accepted by the local ballroom community. Based upon the biographical story of Elvin Elejandro Martinez.
Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just as he is about to become a legend.
Inspired by the wind in the grass, the song of birds, the tapestry of the forest, two bodies of water and natural erosion, two dancers and a filmmaker explore the beauty of the Memramcook valley.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Film about the town of Penge featuring local personalities, housing, shopping, traffic and the Penge formation dancers.
Filmmaker Maia Wechsler follows choreographer Stephen Petronio as he prepares dancers to restage the 1968 production of "RainForest."
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.