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Sarkar is a very good movie. Vijay has given the greatest performance in his career and simply shines in all of his scenes. The political content was also excellent with many dialogues that reference real life events. Seeing Vijay engage with the people throughout the film is a major plus point. The BGM is stunning and works perfectly for his character. Despite all of that, there are some flaws. I'll admit that the screenplay isn't as good as many of movies that were released this year, as it is very linear and straightforward. I expected there to be a few twists and turns, but for the most part Vijay is dominating all of his enemies and there isn't much competition. Wish they had given Varulaxmi a more significant role. Also Keerthy Suresh was not needed in this film. In the end, the movie was not meant for entertainment purposes but to deliver a political message. Do not go into the theater expecting another Thupaaki or Kaththi because the film is much more than that on a grand scale. It's impact on society and politics is what makes it stand out the most despite it's flaws.
A court-appointed legal guardian defrauds her older clients and traps them under her care. But her latest mark comes with some unexpected baggage.
Ted Kennedy's life and political career become derailed in the aftermath of a fatal car accident in 1969 that claims the life of a young campaign strategist, Mary Jo Kopechne.
Auro suffers from a progeria like syndrome. Mentally he is 13 but physically he looks 5 times older. In spite of his condition, Auro is a very happy boy. He lives with his mother Vidya, who is a gynaecologist. Amol is young, progressive politician. He is a man with a mission. Auro is Amol's son. Paa is a 'rare' story about a father-son, son-father relationship.
Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.
A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.
A nonagenarian's gift of millions to a young artist sparks a scandal, leading her daughter to uncover alleged political corruption involving a former president.
Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it would not damage the lives, careers and reputations of those whom she loves.
In 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book to bottle. He works, slightly, as a night-watchman, and his children, who know him for what he is and what he isn't, are his only admirers. Then, it is discovered that he is the only registered voter in a key precinct and the politicians, from both parties, arrive in droves bearing inducements. What he does about this situation, and the relatives who want to take his children away from him make up the story.
The double life of Methodist minister's wife catches up to her, as her husband campaigns for Mayor in a small New Jersey town.
The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.