Garou Garou, le passe-muraille

It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.

Paris, in 1942. The wearing of the yellow star is decreed. On the verge of bankruptcy, Joseph Haffmann, a Jewish jeweler, offers his employee, Pierre Vigneau, to entrust him with his shop if he agrees to hide it until the situation improves for the Jewish community in France. Will Peter take the risk to clandestinely host his "old" boss? And if so, under what condition? Pierre finally accepted. Named six times for Molières, four times awarded, this play by Jean-Philippe Daguerre has been adapted for the cinema with, in the main roles, Daniel Auteuil, Sara Giraudeau and Gilles Lellouche. The film will be released in 2021.

Quinn, a neurotic man, is diagnosed with a harmless eye condition and soon after his life spirals out of control. He second-guesses his plans to propose to his longtime girlfriend, Devon, after his beautiful coworker, Kelsey, confesses that she has a crush on him. After a conversation with his best friend, Jameson, he clumsily tries to explain his doubts to Devon, but his possible proposal turns into a break-up. When Devon flees to Paris, he follows her in a last-ditch effort to win back "the one."

Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.

A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.