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Just finished The King, a modern interpretation of parts of Shakespeare's Henry IV and Henry V, seemingly targeted at millennials. It's common knowledge that much of Shakespeare's Henry V is based on hearsay, yet his pre-battle speeches at Barfleur ('Once more unto the breach, dear friends, once more.') and Agincourt ('We band of brothers') have become the stuff of legend and remain the most stirring battle speeches of our time. In The King, Henry's pre-battle speech at Agincourt is neither stirring or inspirational due to being a watered-down, 21st-century, politically correct rendition, which I found hard to stomach. The King portrays Henry (Hal) as a pacifist and reluctant leader, a fop to Catherine of Valois and I found Timothee Chalomet's (an American) performance as Hal to be too 21st century and not in the slightest bit convincing. In fact, he seemed reluctant to carry out any of the deeds that the real Henry V actually carried out. The battle scenes were very realistic and the cinematography was superb, but... This is yet another nod to the PC millennials, diluting and revising both Shakespeare and history into easily digestible snack bites for the sensitive of our era.
It’s a fine half-adaptation, but suffers from the compromise it makes. On the one hand, it is not simply another adaptation of Shakespeare - it has the advantages of taking a fresh look at the material, but for whatever reason still somehow carried across much of the fictional elements of Shakespeare’s plays. At the same time, whilst the writing is good, it lacks the poetry of a more straight adaptation (e.g. the Hollow Crown). I do find the performances to be compelling, and in particular, find it interesting to see Henry V as a contemplative humanist rather than a victorious warlord. It’s an interesting idea (if perhaps ahistoric) and does perhaps act as a medication on more modern conflicts. In particular, the film diverges significantly from Shakespeare’s plot significantly towards the end. It seems to try to this to change to modify the original 16th century propaganda of the play to a discussion of Realpolitik. This is a good idea in principle, but is somewhat undercut from having just watched an hour glorifying Henry. It is also technically impressive - both the art and cinematography departments have outdone themselves - standards we have perhaps come to expect from Netflix productions. On the whole, I admire the attempt to give a fresh take on the source material, but would rather they took inspiration from the history, rather than from a play written centuries after.
At last an opportunity to see Timothée Chalamet doing something a little grittier. Sadly, t'was not to be. His portrayal of this great character from early 15th Century British history left me cold. He looked like a good meal would have killed him, never mind a bloodthirsty foe clad in iron armed with an axe. The accent held up reasonably well, but he still struggles to shake off the winsome, "butter wouldn't melt" image and as he has to pretty much carry this film en seul, it just doesn't really work. The rare appearances by Robert Pattinson border on the hammy; with his final appearance reminding me of the first few steps taken by "Bambi" back in 1942. It is great that Netflix are prepared to fund projects like this, but the plain truth is that no amount of money can compensate for a poor screenplay - think Shakespeare "light" - supplemented with a few high-profile cameo contributions and some, admittedly, fantastic battle scenarios.
TV movie based on the singer's life, under his mother's thumb, competing with the ghost of one of the most famous singers in C&W music history, and aspiring to rise above it all.
On the 25th of June 1983, the Lord’s Cricket Ground witnessed one of the biggest underdog stories in the history of sports. Fourteen inspired players - led by a man's self-belief and conviction - fought against all odds and orchestrated India’s greatest sporting triumph by beating the two-time World Champions West Indies.
In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.
A Hungarian family forced to flee the Communist country for the United States must leave a young daughter behind. Six years later, the family arranges to bring the absent daughter to the United States where she has trouble adjusting. The daughter then decides to travel to Budapest to discover her identity.
King Henry II keeps his wife Eleanor locked away in the towers because of her frequent attempts to overthrow him. With Eleanor out of the way he can have his dalliances with his young mistress. Needless to say the queen is not pleased, although she still has affection for the king. Working through her sons, she plots the king's demise and the rise of her second and preferred son, Richard, to the throne. The youngest, John, is an overweight buffoon and the only one holding his father's affection is the king's choice after the death of his first son, young Henry. But John is also overly eager for power and is willing to plot his father's demise with middle brother Geoffrey and the young king of France, Phillip. Geoffrey sees his younger brother's weakness and sees that route as his path to power. Political and court intrigue ensues.
Explore the life of Flannery O’Connor whose provocative fiction was unlike anything published before. Featuring never-before-seen archival footage, newly discovered journals, and interviews with Mary Karr, Tommy Lee Jones, Hilton Als, and more.
In 2003, Harvard undergrad and computer programmer Mark Zuckerberg begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, Mark is one of the youngest billionaires ever, but his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend.
Poor physics student Marie is studying at the Sorbonne in 1890s Paris. One of the few women studying in her field, Marie encounters skepticism concerning her abilities, but is eventually offered a research placement in Pierre Curie's lab. The scientists soon fall in love and embark on a shared quest to extract, from a particular type of rock, a new chemical element they have named radium. However, their research puts them on the brink of professional failure.
A scholar in search of true love. Disguising himself as a houseboy, he indentures himself to a rich family in order to pursue the ravishing servant girl who has stolen his heart.
The film details the life of Ray Mancini, a World Boxing Association world lightweight champion boxer from 1982 to 1984, Hollywood actor and a member of the International Boxing Hall of Fame.
