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Does that "Starts in the middle of the action the flashes back to the start" thing that crops up sometimes, which I don't really like in movies. I think it works well for the ocassional episode of television and **sometimes** works out in mystery films, but even then, usually not. In a regular movie it mostly just feels like either they didn't have faith that their movie could keep audiences interested until the action kicks off later on, or they just can't figure out a decent way to start their movie off. Maybe both. Anyway, trying to pass off Josh Hutcherson as a brutish bad boy is fuckin' laughable and this whole thing is woefully under-explored. Can't think of anything quite like it I've seen before though, so points for that. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
So, the slightly amateurish "Billy" (Josh Hutcherson) decides to rob a gas station staffed by two girls - "Melinda" (Tilda Cobham-Harvey) and "Sheila" (Suki Waterhouse). The former girl is a bit strange, subdued, reticent even; her colleague far more confident with men but when the heist happens "Melinda" decides that this might be a time to assert herself with the young man. What now ensues borders on slapstick at times as she manages to take him hostage, sellotapes him to a chair (whereupon she tries to have sex with him...!) before, well - you really have to watch it. It has some quite surreal moments. Handsome Harry Shum Jr. turns up now and again as an wholly ineffective local cop and the whole thing, though pretty basic on both production and writing levels, is actually quite a quirky and watchable effort from Mike Gan that could maybe have lost ten/fifteen minutes of character and scenario establishment, but is still worth a watch.
It's 1983, and hopeless junkie Dick gets an unwelcome visit from the past - his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.
While holidaying in Ireland, a pregnant children's author finds her mental state becoming increasingly unstable, resulting in paranoia, hallucinations, and visions of a doppelgänger.
Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.
Steve Morgan kills a man in a holdup and hitches a ride to Los Angeles with Fergie. At a gas station, they pick up two women. Encountering a roadblock, Morgan takes over and persuades the party to spend the night at an unoccupied beach house. The police close in as one by one, the others learn that Morgan is a killer.
A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.
After a power cut one night, Stan thinks he is seeing things. All alone, he must face what lurks in the dark.
A posh couple experience car trouble on their way to a villa party and stop into a local mechanic's shop for assistance, unaware of his shady background. After he and his mentally challenged assistant fix the car, the couple invite them to the party to return the favor, leading to an evening of mayhem.
A beautiful computer programmer is framed by her fraudulent lover and sent to prison. When she gets out she agrees to cooperate with a scheme of a fellow-inmate to defraud a bank, in order to have enough money to escape from her (by then) ex-lover.
Raymond Lembecke is a con just out of prison after serving time for selling drugs for his mob boss Tony Vago. (Lembecke was innocent and took the rap for Vago.) Lembecke thinks Vago owes him big time so, when his former boss gets him a measly job in a warehouse, he decides on revenge and plans to steal a million dollars worth of drugs from him.
When a robbery at a racetrack goes wrong ex-con Johnny Bannion is caught and sent back to prison. He won't tell the rest of the gang where he has stashed the loot leading to violent consequences.
