The Falklands War: The Untold Story

Based on actual accounts, this film portrays the days and hours before and during the invasion of the Falkland Islands by Argentina, which eventually lead to the Falklands War. As the Argentine forces land on the main island and make their way towards Government House, the handful of British defenders batten down the hatches and prepare to defend Governor Rex Hunt, his family, and their fellow islanders from the invaders.

Argentine film about the experiences of conscripts in the Malvinas Islands War.

The story of the relatives of the 649 Argentine fallen in the Malvinas War, who as soon as the military conflict ended, found themselves alone with their pain and prevented from approaching the grave of their loved ones, either because their bodies were left in the Cemetery of Darwin, in the Malvinas, or because they disappeared without being identified.

The Falklands Play is a dramatic account of the political events leading up to, and including, the 1982 Falklands War. The play was written by Ian Curteis, an experienced writer who had started his television career in drama, but had increasingly come to specialise in dramatic reconstructions of history. It was originally commissioned by the BBC in 1983, for production and broadcast in 1986, but was subsequently shelved by Controller of BBC One Michael Grade due to its alleged pro-Margaret Thatcher stance and jingoistic tone. This prompted a press furore over media bias and censorship.The play was not staged until 2002, when it was broadcast in separate adaptations on BBC Television and Radio.

The film centers on the experiences of Robert Lawrence MC, an officer of the Scots Guards during the Falklands War of 1982. While fighting at the Battle of Mount Tumbledown, Lawrence is shot in the head by an Argentine sniper and left paralyzed on his left side. He then must learn to adjust to his new disability.

Thirty years after the Falkland's War, journalist and military historian Max Hastings explores the conflict's impact and its legacy. Hastings, who sailed with the Task Force in 1982 and reported on the Falklands campaign first-hand, looks at how victory in the South Atlantic revived the reputation of our armed forces and renewed Britain's sense of pride and its image abroad after years of decline as an imperial and military power. Hastings examines how the Falklands provided a model of a swift and successful war that was matched by other conflicts Britain fought at the end of the 20th-century. In contrast, the long campaigns in Iraq and Afghanistan have left the British public sceptical about sending our armed forces in large numbers to war again. The Falklands could well be the last popular war Britain fights, and certainly the country's last imperial hurrah.

The drama tells the story of an Argentine elementary-school teacher sent by the government to a rural hamlet located in the northwestern province of Jujuy. It shows how he touches the lives of the villagers, especially the young and impressionable boy Verónico, whose mother died and father left to seek work when he was an infant. The film is based on a non-fiction book written by Fortunato Ramos, a rural teacher in northwest Argentina, that discusses his teaching experiences.

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

Documentary film about the then longest range bombing mission in history, which changed the outcome of the Falklands War.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

During the Falklands war England's attack on the ARA Belgrano outside of the conflict zone is reviewed 20 years later by a team of National Geographic hoping to find the ship and shed more light into what happened that night.