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Saint-Pierre - (Feb 17th)
Common Side Effects - (Feb 17th)
Australian Survivor - (Feb 17th)
Australian Idol - (Feb 17th)
Family Guy - (Feb 17th)
Ancient Aliens - (Feb 17th)
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If you were to tell me that ‘Pain and Glory’ was Pedro Almodóvar’s final film, I would be inclined to believe you. Rarely has the act of looking back on one's past been so vividly and honestly depicted, and so richly and emotionally satisfying. You can feel the need for this film to exist in every frame, a need to understand and reflect and celebrate and mourn. It is a portrait of an artist at a crossroads, entering the last act of their lives, looking back at what they have created and the battlefield left in their wake, and facing the terror of never creating again. ‘Pain and Glory’ is an intensely beautiful film, one that hangs in the air around you like a perfume for days after. The more I think back on it, the more certain I am that I’ve seen a masterwork. I cannot wait to see it again. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-pain-and-glory-almodovar-delivers-a-rhapsodic-masterwork
This is a wonderful notional career retrospective of filmmaker "Salvador Mallo" (Antonio Banderas) who has a reached an age where he struggles with painkillers and mobility issues - and so embarks on a bit of nostalgia reliving his life. This will one day be described as a classic. Almodóvar at his most pure, grafting the fiction to the fact in such a beautifully crafted way that it is almost impossible to know how you feel whilst you watch it. Banderas is wonderful. He delivers the emotion and the humour - and there is enough of the latter to adequately temper the more emotional aspects of his performance - with consummate skill. Penélope Cruz who always seems more stunning every time she appears on screen plays his mother and even sings - what more could you ask for? In theory, there ought be little joy in this retrospective, but the self-discovery delivers a surprising amount of fulfilment and there is humour to be found here, too.
Pedro and Felipe are two 11-year-old boys who are very different but fall in love with each other. However, they will have to face prejudice and their own insecurities to be together.
Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.
Not wanting to face the death of his father, Lin Qing Yu, alone in Li Jiang, unexpectedly lost wallet and was hired to be a school teacher for the Naxi people. Feelings develop between him and A Ren, a local who supports Lin Qing Yu. When the two open their hearts, they exchange keepsakes. But when these feelings of what the Naxi find unacceptable occurred in the remote mountains of ethnic minorities, what choice will A Ren make between tradition and love?
The most beautiful man in the world, who, sick of being objectified, devises a plan to free himself of other's attention.
Evan Hansen, a high schooler with social anxiety, unintentionally gets caught up in a lie after the family of a classmate who committed suicide mistakes one of Hansen’s letters for their son’s suicide note.
A campy chronicle of the lusts and loves of the men and women who work on a low-rent TV show called, "The Love Judge."
Philippe is an older man and an industrialist whose wife is confined to her bed. They have no children. As he is preparing to go on a vacation to the seaside, he strikes up an acquaintance with Paul, a young working-class boy, and decides to bring him along. This is Paul's first glimpse of how the other half lives, with their first-class hotels and so on. When he meets some aristocratic young people at the resort, he tries to put over the fiction that he is of their class, with poor success.
Hotel California is an 2013 Malayalam action comedy film written by Anoop Menon and directed by Aji John, starring Jayasurya, Anoop Menon, Honey Rose, Maria Roy and Aparna Nair.
An anxious young drag queen searches for a way out before a revealing news story hits the airwaves, two silent strangers wander out into the night in a city under curfew, and a lively summer camp seeks to rid the youths of America of their sinful heterosexual desires. A defiant collection of shorts exploring passion, persecution and revolt from eras past, present and future. The 5 short films are: AYOR (2021); All the Way (2018); Lost Queens [Locas perdidas] (2015); Gay Camp (2018); Undercurrent [宵禁] (2020).
When widowed cabbie Ray and retired teacher Jim meet by chance, they discover they long for the same things from life: adventure, challenge and love. Together Ray and Jim discover that being 64 means a new beginning: it's time to try the things they never dared in their youth.